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Robertson Davies

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The modern writer is too often a Theseus so enamored of the grotesque appearance and strange cavortings of the Minotaur that he has decided to make his permanent abode in the Labyrinth, and to accept the Minotaur's laws as his own.

 
Robertson Davies

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The minotaur more than justifies the existence of the labyrinth.

 
Jorge Luis Borges
 

The multitude of men and women choose the less adventurous way of the comparatively unconscious civic and tribal routines. But these seekers, too, are saved—by the virtue of the inherited symbolic aids of society, the rites of passage, the grace-yielding sacraments, given to mankind of old by the redeemers and handed down through the millenniums. It is only those who know neither an inner call nor an outer doctrine whose plight is truly desperate; that is to say, most of us today, in this labyrinth without and within the heart. Alas, where is the guide, that fond virgin, Ariadne, to supply the simple clue that will give us the courage to face the Minotaur, and the means to find our way to freedom when the monster has been met and slain?

 
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Your Highness is a juvenile excrescence that feels like the work of 11-year-old boys in love with dungeons, dragons, warrior women, pot, boobs and four-letter words. One of the heroes even wears the penis of a minotaur on a string around his neck. I hate it when that happens.

 
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What can he do who lacks the necessary work, if he comes to be unemployed? He has nothing but to let himself die of hunger. Then a few phrases of pity will thrown on his cadaver. That's what I decided to leave to others. I preferred to make myself a black-marketer, forger, thief, murderer and assassin. I could have begged: it's degrading and cowardly and even punished by your laws that make a crime of poverty. If all those in need, instead of waiting, took wherever there was enough to be taken and by any means whatever, the satisfied would perhaps understand quicker that there is danger in trying to consecrate the current social condition, where worry is permanent and life threatened at every instant.

 
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Of course I'm a black writer.... I'm not just a black writer, but categories like black writer, woman writer and Latin American writer aren't marginal anymore. We have to acknowledge that the thing we call "literature" is more pluralistic now, just as society ought to be. The melting pot never worked. We ought to be able to accept on equal terms everybody from the Hassidim to Walter Lippmann, from the Rastafarians to Ralph Bunche.

 
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