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Some years ago, it was customary for fast-talking confidence men to find some chump with five or ten thousand dollars in cash and sell him the Brooklyn Bridge or the Holland Tunnel. And I hear that when the Pennsylvania Railroad began to demolish its station in New York City, someone bought it for $25,000 cash. Now the swindlers in all those cases are undoubtedly wicked men. They deserve exemplary punishment. But, you know, there must have been something wrong with the purchasers too. Much as we may sympathize with them, we shall have to agree, I think, that they were not overly bright.
--
"What We Owe Our Parasites", speech (June 1968); Free Speech magazine (October and November 1995)

 

Revilo P. Oliver

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Johnny Cash

 

To the existence of banks of discount for cash... there can be no objection, because there can be no danger of abuse, and they are a convenience both to merchants and individuals. I think they should even be encouraged, by allowing them a larger than legal interest on short discounts, and tapering thence, in proportion as the term of discount is lengthened, down to legal interest on those of a year or more. Even banks of deposit, where cash should be lodged, and a paper acknowledgment taken out as its representative, entitled to a return of the cash on demand, would be convenient for remittances, travelling persons, etc. But, liable as its cash would be to be pilfered and robbed, and its paper to be fraudulently re-issued, or issued without deposit, it would require skilful and strict regulation.

 

Thomas Jefferson

 

In the years when I was trying to get my work shown and accepted and so forth, I went to work for the Pennsylvania Railroad and that was my formal art school. You can learn a hell of a lot about sculpture, working in a railroad. The thing about getting a job outside of art is the fact that you can finds out whole areas of materials. I don’t mean new ones. I mean old ones like scrap iron. A railroad is essentially a big collection of scrap iron, and that’s why it’s great. You get out and beyond the art confine.

 

Carl Andre

 

It's all you deserve. You've got the cash,
what the hell do you care? You've got
nothing to lose. You are inheritors of a great
tradition. My country right or wrong!
You do what you're told to do. You don't
answer back the way Tommy Jeff did or Ben
Frank or Georgie Washing. I'll say you
don't. You're civilized. You let your
betters tell you where you get off. Go
ahead —

 

William Carlos Williams

 

My eight years in Brooklyn gave me a new vision of America, or rather America gave me a new vision of a part of itself, Brooklyn. They were wonderful years. A community of over three million people, proud, hurt, jealous, seeking geographical, social, emotional status as a city apart and alone and sufficient. One could not live for eight years in Brooklyn and not catch its spirit of devotion to its baseball club, such as no other city in America equaled. Call it loyalty, and so it was. It would be a crime against a community of three million people to move the Dodgers. Not that the move was unlawful, since people have the right to do as they please with their property. But a baseball club in any city in America is a quasi-public institution, and in Brooklyn the Dodgers were public without the quasi.

 

Branch Rickey