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I'm always endlessly surprised about the people who come into my life, who I get to collaborate with. I feel really overwhelmed by those opportunities. But it's not like I fell off the turnip truck and suddenly became who I am. I really have worked hard for it, and I have to acknowledge that. I care about what I do, and I have a sense of pride in my work. And you can never be totally settled as an actor or artist or musician. You have to keep the fire under you, because that's what makes you better.
--
Face to Face with Reese Witherspoon, Readers Digest (September 2005)

 

Reese Witherspoon

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The best thing about writing fiction is that moment where the story catches fire and comes to life on the page, and suddenly it all makes sense and you know what it's about and why you're doing it and what these people are saying and doing, and you get to feel like both the creator and the audience. Everything is suddenly both obvious and surprising ("but of course that's why he was doing that, and that means that...") and it's magic and wonderful and strange.

 

Neil Gaiman

 

On the second album I worked with a lot of people that I worked with on the Metamorphosis album. And when I worked on Metamorphosis I was so nervous and shy about going into the studio and working with people, they eventually toward the end made me feel so comfortable and so secure with myself. I loved working with them. I have a great relationship with them. I talk to them [all the time]. When we started talking about the second album, I was like, "I want to work with all the same people." They knew what was going on in my life, what I was going through. I would call them and say, "I feel like this right now. I want a song about this..." I never really felt like I had enough time to write my whole album and I don't know if I'm secure enough with myself to do that. But I wrote three songs on the album, one I wrote with my sister. It's so personal and these people really got what I was going through and how I feel inside. I think that's what makes it good and that's what makes me relate to them.

 

Hilary Duff

 

It's always strange. I've had a lot of people work for me, and I've found out it's a funny thing that you give them Saturday and Sunday off, and they work so hard to get to those two days and those are the two days that they totally destroy themselves. I mean, you know you think to yourself, you say, "My goodness, I've really pounded these people and worked to them to death." And Friday comes and they say, "Yeah!" And then they come in Monday... [he makes an expression that looks like he's exhausted and upset] and say, "Boy, am I glad to be back here. I'm no good on my own. I was given two whole days and I just went crazy."

 

Bill Cosby

 

Mathematics is too arduous and uninviting a field to appeal to those to whom it does not give great rewards. These rewards are of exactly the same character as those of the artist. To see a difficult uncompromising material take living shape and meaning is to be Pygmalion, whether the material is stone or hard, stonelike logic. To see meaning and understanding come where there has been no meaning and no understanding is to share the work of a demiurge. No amount of technical correctness and no amount of labour can replace this creative moment, whether in the life of a mathematician or of a painter or musician. Bound up with it is a judgement of values, quite parallel to the judgement of values that belongs to the painter or the musician. Neither the artist nor the mathematician may be able to tell you what constitutes the difference between a significant piece of work and an inflated trifle; but if he is not able to recognise this in his own heart, he is no artist and no mathematician.

 

Norbert Wiener

 

It really is strange the way I work for success but when I get there cannot appreciate it. I enjoy the road to success and the struggle — even when it gets hard. But when I achieve my goal, I feel suddenly and totally stressed. Only in retrospect can I begin to enjoy the moment and admit just how great it was.

 

Sarah Brightman