What to leave out is the first thing the artist has to decide; a painter who “held the mirror up to nature” would spend his life on the leaves of one landscape. The work of art’s fluctuating and idiosyncratic threshold of attention—the great things disregarded, the small things seized and dwelt on—is as much of a signature as anything in it.
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“The Profession of Poetry”, p. 162Randall Jarrell
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In the fabric of space and in the nature of matter, as in a great work of art, there is, written small, the artist’s signature.
Carl Sagan
No one has to stand behind us; we’ve never asked anyone to defend the way we get attention. The fact is we are the biggest group because we succeed in getting attention. ... The fact is we may be doing all sorts of things on a campaign but the one thing that gets attention is the outrageous thing. It simply goes to prove to us each time, that that is the thing that’s going to work; and so we won’t shirk from doing that facet — in addition to all the other things we do that you never hear about because no one cares.
Ingrid Newkirk
But God hath introduced Man to be a spectator of Himself and of His works; and not a spectator only, but also an interpreter of them. Wherefore it is a shame for man to begin and to leave off where the brutes do. Rather he should begin there, and leave off where Nature leaves off in us: and that is at contemplation, and understanding, and a manner of life that is in harmony with herself. See then that ye die not without being spectators of these things. (13).
Epictetus
Often we allow ourselves to get all worked up about things that, upon closer examination, aren't really that big a deal. We focus on little problems and blow them out of proportion. ... Whether we had to wait in line, listen to unfair criticism, or do the lion's share of the work, it pays enormous dividends if we learn not to worry about little things. So many people spend so much of their life energy "sweating the small stuff" that they completely lose touch with the magic and beauty of life.
Richard Carlson
The way our group or class does things tends to determine the proper objects of attention, and thus prescribe the directions and limits of observation and memory. What is strange and foreign (that is to say outside the activities of the group) tends to be morally forbidden and intellectually suspect. It seems almost incredible to us, for example, that things which we know very well, could have escaped recognition in past ages. We incline to account for it by attributing congenital stupidity to our forerunners and by assuming superior native intelligence on our own part. But the explanation is that their modes of life did not call for attention to such facts, but held their minds riveted to other things.
John Dewey
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