“Modern” poetry is, essentially, an extension of romanticism; it is what romantic poetry wishes or finds it necessary to become. It is the end product of romanticism, all past and no future; it is impossible to go further by any extrapolation of the process by which we have arrived, and certainly it is impossible to remain where we are—who could endure a century of transition?
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transition [sic] was the avant-garde English-language magazine published in Paris 1927–1938; “A Note on Poetry”, p. 48Randall Jarrell
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