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Randall Jarrell

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If my tone is mocking, the tone of someone accustomed to helplessness, this is natural: the poet is a condemned man for whom the State will not even buy breakfast — and as someone said, “If you’re going to hang me, you mustn’t expect to be able to intimidate me into sparing your feelings during the execution.”
--
“The Obscurity of the Poet”, p. 17

 
Randall Jarrell

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If my tone is mocking, the tone of someone accustomed to helplessness, this is natural: the poet is a condemned man for whom the State will not even buy breakfast—and as someone said, “If you’re going to hang me, you mustn’t expect to be able to intimidate me into sparing your feelings during the execution.”

 
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If...[Alban] Berg departs so radically from tradition, through his substitution of a symmetrical partitioning of the octave for the asymmetrical partionings of the major/minor system, he departs just as radically from the twelve-tone tradition that is represented in the music of Schoenberg and Webern, for whom the twelve-tone series was always an integral structure that could be transposed only as a unit, and for whom twelve-tone music always implied a constant and equivalent circulation of the totality of pitch classes.

 
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