Sometimes it is hard to criticize, one wants only to chronicle. The good and mediocre books come in from week to week, and I put them aside and read them and think of what to say; but the "worthless" books come in day after day, like the cries and truck sounds from the street, and there is nothing that anyone could think of that is good enough for them. In the bad type of thin pamphlets, in hand-set lines on imported paper, people's hard lives and hopeless ambitions have expressed themselves more directly and heartbreakingly than they have ever expressed in any work of art: it is as if the writers had sent you their ripped-out arms and legs, with "This is a poem" scrawled on them in lipstick. After a while one is embarrassed not so much for them as for poetry, which is for these poor poets one more of the openings against which everyone in the end beats his brains out; and one finds it unbearable that poetry should be so hard to write — a game of Pin the Tail on the Donkey in which there is for most of the players no tail, no donkey, not even a booby prize.
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"Verse Chronicle," The Nation (1946-02-23); reprinted as "Bad Poets" in Poetry and the Age (1953)Randall Jarrell
» Randall Jarrell - all quotes »
"Mulla, I want to borrow your donkey."
"I am sorry," said the Mulla, "but I have already lent it out."
As soon as he had spoken, the donkey brayed. The sound came from Nasrudin's stable.
"But Mulla, I can hear the donkey, in there!"
As he shut the door in the man's face, Nasrudin said, with dignity, "A man who believes the word of a donkey in preference to my word does not deserve to be lent anything."Nasreddin
"You try very hard to make up for something that was never your fault. [...] You didn't choose this kind of life, and yet you have to work so hard to be good."
"I don't know that I'm making up for anything," he disagreed lightly. "Like everything in life, I just had to decide what to do with what I was given."Stephenie Meyer
"Oh, I cannot abide these complacent clods," I exclaim. "I cannot relate to these opulent oafs who are laughing in the streets. They are not high enough or low enough. For my love I must find the poor, the deprived, the fornicators, the addicts, the drunkards, the unwashed, ..."
"Oh, these are the poor," the clod told me. "This is the poorest street in town, Index Y-Z. It's hard to tell them apart now except that the poor spend more ostentatiously than the rich do."R. A. Lafferty
People who have taken the [writing] course write eagerly, "Last week I hit "The Country Gentleman"; this week I hit "Mademoiselle"; next week I hope to hit the "American Mother"! Frankly, I don't think this course would suit me; I don't want to hit any of those people, though I might toss a pie at the American Mother, just for fun...
Robertson Davies
The current publishing scene is extremely good for the big, popular books. They sell them brilliantly, market them and all that. It is not good for the little books. And really valuable books have been allowed to go out of print. In the old days, the publishers knew that these difficult books, the books that appeal only to a minority, were very productive in the long run. Because they're probably the books that will be read in the next generation. It's heart-breaking how often I have to say when I'm giving talks, "This book is out of print. This book is out of print." It's a roll call of dead books.
Doris Lessing
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