William Morris

The wind is not helpless for any man's need,
Nor falleth the rain but for thistle and weed.

I have said as much as that the aim of art was to destroy the curse of labour by making work the pleasurable satisfaction of our impulse towards energy, and giving to that energy hope of producing something worth its exercise.

The majesty
That from man's soul looks through his eager eyes.

And there he saw a door within the wall,
Well-hinged, close shut; nor was there in that place
Another on its hinges, therefore he
Stood there and pondered for a little space
And thought: "Perchance some marvel I shall see,
For surely here some dweller there must be,
Because this door seems whole and new and sound,
While nought but ruin I can see around".

I pondered all these things, and how men fight and lose the battle, and the thing that they fought for comes about in spite of their defeat, and when it comes turns out not to be what they meant, and other men have to fight for what they meant under another name.

Folk say, a wizard to a northern king
At Christmas-tide such wondrous things did show,
That through one window men beheld the spring,
And through another saw the summer glow,
And through a third the fruited vines a-row,
While still, unheard, but in its wonted way,
Piped the drear wind of that December day.
So with this Earthly Paradise it is,
If ye will read aright, and pardon me,
Who strive to build a shadowy isle of bliss
Midmost the beating of the steely sea,
Where tossed about all hearts of men must be;
Whose ravening monsters mighty men shall slay,
Not the poor singer of an empty day.

The greatest foe to art is luxury, art cannot live in its atmosphere.

Then listen! when this day is overpast,
A fearful monster shall I be again,
And thou mayst be my saviour at the last,
Unless, once more, thy words are nought and vain.
If thou of love and sovereignty art fain,
Come thou next morn, and when thou seest here
A hideous dragon, have thereof no fear,
But take the loathsome head up in thine hands
And kiss it, and be master presently
Of twice the wealth that is in all the lands
From Cathay to the head of Italy;
And master also, if it pleaseth thee,
Of all thou praisest as so fresh and bright,
Of what thou callest crown of all delight.
Ah! with what joy then shall I see again
The sunlight on the green grass and the trees,
And hear the clatter of the summer rain,
And see the joyous folk beyond the seas.
Ah, me! to hold my child upon my knees
After the weeping of unkindly tears
And all the wrongs of these four hundred years.
Go now, go quick! leave this grey heap of stone;
And from thy glad heart think upon thy way,
How I shall love thee — yea, love thee alone,
That bringest me from dark death unto day;
For this shall be thy wages and thy pay;
Unheard-of wealth, unheard-of love is near,
If thou hast heart a little dread to bear.

And what do ye say then? — That Spring long departed
Has brought forth no child to the softness and showers;
— That we slept and we dreamed through the Summer of flowers;
We dreamed of the Winter, and waking dead-hearted
Found Winter upon us and waste of dull hours.

O surely this morning all sorrow is hidden,
All battle is hushed for this even at least;
And no one this noontide may hunger, unbidden
To the flowers and the singing and the joy of your feast
Where silent ye sit midst the world's tale increased.

It happened once, some men of Italy
Midst the Greek Islands went a sea-roving,
And much good fortune had they on the sea:
Of many a man they had the ransoming,
And many a chain they gat and goodly thing;
And midst their voyage to an isle they came,
Whereof my story keepeth not the name.

Mastership hath many shifts whereby it striveth to keep itself alive in the world. And now hear a marvel: whereas thou sayest these two times that out of one man ye may get but one man's work, in days to come one man shall do the work of a hundred men — yea, of a thousand or more: and this is the shift of mastership that shall make many masters and many rich men.

"Come — pain ye shall have, and be blind to the ending!
Come — fear ye shall have, mid the sky's overcasting!
Come — change ye shall have, for far are ye wending!
Come — no crown ye shall have for your thirst and your fasting,
But the kissed lips of Love and fair life everlasting!
Cry out, for one heedeth, who leadeth you home!"

There sat a woman, whose wet tresses rolled
On to the floor in waves of gleaming gold,
Cast back from such a form as, erewhile shown
To one poor shepherd, lighted up Troy town.

It sprang without sowing, it grew without heeding,
Ye knew not its name and ye knew not its measure,
Ye noted it not mid your hope and your pleasure;
There was pain in its blossom, despair in its seeding,
But daylong your bosom now nurseth its treasure.

Love is enough: cherish life that abideth,
Lest ye die ere ye know him, and curse and misname him;
For who knows in what ruin of all hope he hideth,
On what wings of the terror of darkness he rideth?
And what is the joy of man's life that ye blame him
For his bliss grown a sword, and his rest grown a fire?

Worthy work carries with it the hope of pleasure in rest, the hope of the pleasure in our using what it makes, and the hope of pleasure in our daily creative skill.
All other work but this is worthless; it is slaves' work — mere toiling to live, that we may live to toil.

Forsooth, ye have heard it said that ye shall do well in this world that in the world to come ye may live happily for ever; do ye well then, and have your reward both on earth and in heaven; for I say to you that earth and heaven are not two but one; and this one is that which ye know, and are each one of you a part of, to wit, the Holy Church, and in each one of you dwelleth the life of the Church, unless ye slay it.

Hence has arisen that exaltation of the defective, of which John Ruskin and William Morris were such eager spokesmen in their time; and on this ground their propaganda of crudity and wasted effort has been taken up and carried forward since their time. And hence also the propaganda for a return to handicraft and household industry. So much of the work and speculations of this group of men as fairly comes under the characterization here given would have been impossible at a time when the visibly more perfect goods were not the cheaper.

William Morris pleaded well for simplicity as the basis of all true art. Let us understand the significance to art of that word — SIMPLICITY — for it is vital to the Art of the Machine.