Truman Capote (1924 – 1984)
Born Truman Streckfus Persons, was an American writer.
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It's a scientific fact that if you stay in California you lose one point of your IQ every year.
Disco is the best floor show in town. It's very democratic, boys with boys, girls with girls, girls with boys, blacks and whites, capitalists and Marxists, Chinese and everything else, all in one big mix.
The true beloveds of this world are in their lover's eyes lilacs opening, ship lights, school bells, a landscape, remembered conversations, friends, a child's Sunday, lost voices, one's favorite suit, autumn and all seasons, memory, yes, it being the earth and water of existence, memory.
Past certain ages or certain wisdoms it is very difficult to look with wonder; it is best done when one is a child; after that, and if you are lucky, you will find a bridge of childhood and walk across it.
A resident of over a hundred years in so narrow a world deserved higher homage.
[You've said your material chooses you.] That's the difference between the serious artist and the craftsman—-the craftsman can take material and because of his abilities do a professional job of it. The serious artist, like Proust, is like an object caught by a wave and swept to shore. He's obsessed by his material; it's like a venom working in his blood and the art is the antidote.
The brain may take advice, but not the heart, and love, having no geography, knows no boundaries: weight and sink it deep, no matter, it will rise and find the surface: and why not? any love is natural and beautiful that lies within a person's nature; only hypocrites would hold a man responsible for what he loves, emotional illiterates and those of righteous envy, who, in their agitated concern, mistake so frequently the arrow pointing to heaven for the one that leads to hell.
People who are having a love-sex relationship are continuously lying to each other because the very nature of the relationship demands that they do, because you have to make a love object of this person, which means that you editorialize about them. You know? You cut out what you don't want to see, you add this if it isn't there. And so therefore you're building a lie. But in a friendship you don't do that. You do exactly the reverse. You try more and more to be as completely pure and straight as you can be.
She beckoned to him, shining and silver, and he knew he must go: unafraid, not hesitating, he paused only at the garden's edge, as though he'd forgotten something, he stopped and looked back at the bloomless, descending blue, at the boy he had left behind.
It seemed odd to Joel that nature did not reflect so solemn an event: flowers of cotton-boll clouds within a sky as scandalously blue as kitten-eyes were offensive to their sweet disrespect.
Writing has laws of perspective, of light and shade, just as painting does, or music. If you are born knowing them, fine. If not, learn them. Then rearrange the rules to suit yourself.
Finding the right form for your story is simply to realize the most natural way of telling the story. The test of whether or not a writer has divined the natural shape of his story is just this: after reading it, can you imagine it differently, or does it silence your imagination and seem to you absolute and final? As an orange is final. As an orange is something nature has made just right.
All writing, all art, is an act of faith. If one tries to contribute to human understanding, how can that be called decadent? It's like saying a declaration of love is an act of decadence. Any work of art, provide it springs from a sincere motivation to further understanding between people, is an act of faith and therefore is an act of love.
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