Stephane Mallarme (1842 – 1898)
Born Étienne Mallarmé, was a poet and critic.
The sun as it's halted
Miraculously exalted
Resumes its descent Incandescent.
La chair est triste, hélas! et j'ai lu tous les livres.
Ah well, towards happiness others will lead me
With their tresses knotted to the horns of my brow:
You know, my passion, that purple and just ripe,
The pomegranates burst and murmur with bees;
And our blood, aflame for her who will take it,
Flows for all the eternal swarm of desire.
Hyperbole! can you not rise
In triumph from my memory,
A modern magic spell devise
As from an ironbound grammary:
For I inaugurate through science
The hymn of all hearts spiritual
In the labor of my patience,
Atlas, herbal, ritual.
These nymphs I would perpetuate.
So clear
Their light carnation, that it floats in the air
Heavy with tufted slumbers.
I wait, but do not know for what or why
Or perhaps you are uttering the last bruised sighs,
Ignorant of the mystery and of your cries,
Of a childhood feeling its frozen gems
Being broken off at last amidst its dreams.
I feel in my sinews
The spreading of shadows
Converging together
With a shiver
And in solitary vigil
After flights triumphal
My head rise
From this scythe
Through a clean rupture
That serves to dissever
The ancient disharmony
With the body
As drunk from fasting
It persists in following
With a haggard bound
Its gaze profound
Up where the frozen
Absolute has chosen
That nothing shall measure
Its vastness, O glacier
But according to a ritual
Illumined by the principle
That chose my consecration
It extends a salutation.
Degas was discussing poetry with Mallarmé; "It isn't ideas I'm short of... I've got too many" [Ce ne sont pas les idées qui me manquent... J'en ai trop], said Degas. "But Degas," replied Mallarmé, "you can't make a poem with ideas. ... You make it with words." [Mais, Degas, ce n'est point avec des idées que l'on fait des vers. . . . C'est avec des mots.]
It is in front of the the paper that the artist creates himself.
My breast, though proofless, still attests a bite
Mysterious, due to some august tooth;
But enough! for confidant such mystery chose
The great double reed which one plays 'neath the blue.
All alone I gave
Myself for triumph the ideal sin of roses.
In a museum in London there is an exhibit called "The Value of Man": a long coffinlike box with lots of compartments where they've put starch—phosphorus—flour—bottles of water and alcohol—and big pieces of gelatin. I am a man like that.
No water murmurs but what my flute pours
On the chord sprinkled thicket; and the sole wind
Prompt to exhale from my two pipes, before
It scatters the sound in a waterless shower,
Is, on the horizon's unwrinkled space,
The visible serene artificial breath
Of inspiration, which regains the sky.
Etna! 'tis amid you, visited by Venus
On your lava fields placing her candid feet,
When a sad stillness thunders wherein the flame dies.
I hold the queen!
If only I'd chosen an easy work! But, precisely, I, who am sterile and crepuscular, have chosen a terrifying subject, whose sensations , if they are strong, reach the point of atrocity, and if they are vague, have the strange attitude of mystery. And my Verse hurts me at times, and wounds me as if it were of iron! I have, moreover, found an intimate and unique way of painting and noting down the very fleeting impressions. I should add, which is even more terrifying, that all these impressions follow one another as in a symphony, and I often have entire days when I ask myself if this impression can accompany that one, what is their relationship and effect … You can guess that I write few lines in a week.
No more, I must sleep, forgetting the outrage,
On the thirsty sand lying, and as I delight
Open my mouth to wine's potent star!
Adieu, both! I shall see the shade you became.
Magical shadow with symbolic powers!
A voice from the distant past, an evocation,
Is it not mine prepared for incantation?
I am alone in my monotonous country,
While all those around me live in the idolatry
Of a mirror reflecting in its depths serene
Herodiade, whose gaze is diamond keen ...
O final enchantment! yes, I sense it, I am alone.
When the sad sun sinks,
It shall pierce through the body of wax till it shrinks!
No sunset, but the red awakening
Of the last day concluding everything
Struggles so sadly that time disappears,
The redness of apocalypse, whose tears
Fall on the child, exiled to her own proud
Heart, as the swan makes its plumage a shroud
For its eyes, the old swan, and is carried away
From the plumage of grief to the eternal highway
Of its hopes, where it looks on the diamonds divine
Of a moribund star, which never more shall shine!
L'acte poétique consiste ? voir soudain qu'une idée se fractionne en un nombre de motifs égaux par valeur et ? les grouper; ils riment.