Robertson Davies (1913 – 1995)
Canadian novelist, playwright, critic, journalist and professor.
Moderation, the Golden Mean, the Aristonmetron, is the secret of wisdom and of happiness. But it does not mean embracing an unadventurous mediocrity: rather it is an elaborate balancing-act, a feat of intellectual skill demanding constant vigilance. Its aim is a reconciliation of opposites.
Still haunted by Haiku, and tried my hand at it, but I fall pitifully short of the Wordsworthian touch. But failure in this realm turned my mind to an old enthusiasm of mine, the Welsh englyn. This verse form was derived by the Welsh from the inscriptions which their Roman conquerors put on tombs ... A good englym must have four lines, of ten, then six, syllables, the last two lines having seven syllables each. In the first line there must be a break after the seventh, eighth, or ninth syllable, and the rhyme with the second line comes at this break; but the tenth syllable of the first line must either rhyme or be in assonance with the middle of the second line. The last two lines must rhyme with the first rhyme in the first line, but the third or fourth line must rhyme on a weak syllable. Got that?
Thought and reason, unless matched by feelings, are empty, delusive things.
I am not even prepared to meet Professor Einstein or Bertrand Russell; why should I vaingloriously assume that God would find me interesting?
Women tell men things that men are not very likely to find out for themselves.
Those of you who have visited Oxford know what a busy, crowded, noisy place it now is and you might perhaps not guess that it was a university town if it were not that, now and then, the traffic is halted while the Vice-Chancellor, preceded by his two mace-bearers, crosses the street. It must be one of the few places left in the world where self-assertion, covetousness, and the whole world of the combustion engine must come to a halt because somebody distinguished for his intelligence is going about his business.
One receives the impression from his writings that he made it his plan to read any book whatever that no one else can bear to read.
The King had every privilege except that of being at ease. Pompadour provided the atmosphere in which that final luxury was possible. She did not do this, as anyone who thinks about the matter for twenty seconds will know, by twenty years of rapt contemplation of the ceilings of Versailles. Indeed, Pompadour was not a physically ardent woman, and love-making tired her. After about eight years of their association Louis XV did not sleep with her... But it was to Pompadour that he talked, and it was to Pompadour that he listened.
If our age is not distinguished for a greatly increased number of happy marriages and a more intelligent approach to the problems of sex, we may surely assert that some forms of misery in the sexual realm are less widespread than they used to be; and of the many people who are unhappy, thousands have some idea of what lies at the root of their unhappiness, and thus far they are better off than their forefathers, who had none, or attributed their distress to sin.
Very often when I am introduced to women, I think, "What is she really like behind the disguise which she wears?" And very often I discover that she is pleasant enough, and probably would expand and glow if she received enough affection.
Every man makes his own summer. The season has no character of its own, unless one is a farmer with a professional concern for the weather.
The day has long passed when a university degree was a guarantee of experience in the humanities, or of literacy beyond its barest meaning of being able, after a fashion, to read and write.
People marry most happily with their own kind. The trouble lies in the fact that people usually marry at an age where they do not really know what their own kind is.
Well, I haven't got wealth or fame, but I really think I might say, and I know how dangerous it is to say this — I think I have happiness. And happiness, you know, so many people when they talk about happiness, seem to think that it is a constant state of near lunacy, that you're always hopping about like a fairy in a cartoon strip, and being noisily and obstreperously happy. I don't think that is it at all. Happiness is a certain degree of calm, a certain degree of having your feet rooted firmly in the ground, of being aware that however miserable things are at the moment that they're probably not going to be so bad after awhile, or possibly they may be going very well now, but you must keep your head because they're not going to be so good later. Happiness is a very deep and dispersed state. It's not a kind of excitement.
Not all readers are prepared, at all times, to make independent judgments. But the failure of modern education to equip them to do so even when they have the inclination creates a serious gap in modern culture.
Sometimes for us in Canada it seems as though the United States and the United Kingdom were cup and saucer, and Canada the spoon, for we are in and out of both with the greatest freedom, and we are given most recognition when we are most a nuisance.
The truth is that art does not teach; it makes you feel, and any teaching that may arise from the feeling is an extra, and must not be stressed too much. In the modern world, and in Canada as much as anywhere, we are obsessed with the notion that to think is the highest achievement of mankind, but we neglect the fact that thought untouched by feeling is thin, delusive, treacherous stuff.
It is mankind's discovery of language which more than any other single thing has separated him from the animal creation. Without language, what concept have we of past or future as separated from the immediate present? Without language, how can we tell anyone what we feel, or what we think? It might be said that until he developed language, man had no soul, for without language how could he reach deep inside himself and discover the truths that are hidden there, or find out what emotions he shared, or did not share, with his fellow men and women. But because this greatest gift of all gifts is in daily use, and is smeared, and battered and trivialized by commonplace associations, we too often forget the splendour of which it is capable, and the pleasures that it can give, from the pen of a master.
Do they show us the future as it matures in the womb of the present?
I don't suppose there is a country in the world where a playwright has such a tremendous field for modesty as Canada.