Robert Graves (1895 – 1985)
Prolific English poet, scholar and novelist.
Kaisers and Czars will strut the stage
Once more with pomp and greed and rage;
Courtly ministers will stop
At home and fight to the last drop;
By the million men will die
In some new horrible agony...
I protested: "But all this is childish. Is there a war on here, or isn't there?"
"The Royal Welch don't recognize it socially," he answered.
There’s a cool web of language winds us in,
Retreat from too much joy or too much fear:
We grow sea-green at last and coldly die
In brininess and volubility.
He is older than the seas,
Older than the plains and hills,
And older than the light that spills
From the sun's hot wheel on these.
He wakes the gale that tears your trees,
He sings to you from window sills.
Take courage, lover!
Could you endure such pain
At any hand but hers?
If I were a young man
With my bones full of marrow,
Oh, if I were a bold young man
Straight as an arrow,
I'd store up no virtue
For Heaven's distant plain,
I'd live at ease as I did please
And sin once again.
But we are gifted, even in November,
Rawest of seasons, with so huge a sense
Of her nakedly worn magnificence
We forget cruelty and past betrayal,
Heedless of where the next bright bolt may fall.
His eyes are quickened so with grief,
He can watch a grass or leaf
Every instant grow; he can
Clearly through a flint wall see,
Or watch the startled spirit flee
From the throat of a dead man.
The official style is at once humble, polite, curt and disagreeable: it derives partly from that used in Byzantine times by the eunuch slave-secretariat, writing stiffly in the name of His Sacred Majesty, whose confidence they enjoyed, to their fellow-slaves outside the palace precincts — for the Emperor had summary power over everyone; and partly from the style used by the cleric-bureaucracy of the Middle Ages, writing stiffly in the name of the feudal lords to their serfs and, though cautious of offending their employers, protected from injury by being servants of the Church, not of the Crown, and so subject to canon, not feudal, law. The official style of civil servants, so far as it recalls its Byzantine derivation, is written by slaves to fellow-slaves of a fictitious tyrant; and, so far as it recalls its mediaeval derivation, is written by members of a quasi-ecclesiastical body, on behalf of quasi-feudal ministers (who, being politicians, come under a different code of behaviour from theirs) to a serflike public.
Anglican chaplains were remarkably out of touch with their troops. The Second Battalion chaplain, just before the Loos fighting, had preached a violent sermon on the Battle against Sin, at which one old soldier behind me had grumbled: "Christ, as if one bloody push wasn't enough to worry about at a time!"
Christ of His gentleness
Thirsting and hungering,
Walked in the wilderness;
Soft words of grace He spoke
Unto lost desert-folk
That listened wondering.
Let Cupid smile and the fiend must flee;
Hey and hither, my lad.
Where nature with accustomed round
Sweeps and garnishes the ground
With kindly beauty, warm or cold —
Alternate seasons never old:
Heathen, how furiously you rage,
Cursing this blood and brimstone age,
How furiously against your will
You kill and kill again, and kill:
All thought of peace behind you cast,
Till like small boys with fear aghast,
Each cries for God to understand,
'I could not help it, it was my hand.'"
To be a poet is a condition rather than a profession.
Then all you lovers have good heed
Vex not young Love in word or deed:
Love never leaves an unpaid debt,
He will not pardon nor forget.
Then speaking from his double head
The glorious fearful monster said
"I am YES and I am NO,
Black as pitch and white as snow,
Love me, hate me, reconcile
Hate with love, perfect with vile,
So equal justice shall be done
And life shared between moon and sun.
Nature for you shall curse or smile:
A poet you shall be, my son."
And what of home — how goes it, boys,
While we die here in stench and noise?
Children, if you dare to think
Of the greatness, rareness, muchness,
Fewness of this precious only
Endless world in which you say
You live, you think of things like this:
Blocks of slate enclosing dappled
Red and green, enclosing tawny
Yellow nets, enclosing white
And black acres of dominoes,
Where a neat brown paper parcel
Tempts you to untie the string.
Now I begin to know at last,
These nights when I sit down to rhyme,
The form and measure of that vast
God we call Poetry, he who stoops
And leaps me through his paper hoops
A little higher every time.
Hate and Fear are not wanted here,
Nor Toys nor Country Lovers,
Everything they took from my new poem book
But the flyleaf and the covers.