Plotinus quotes

Pleasure and distress, fear and courage, desire and aversion, where have these affections and experiences their seat?
Clearly, either in the Soul alone, or in the Soul as employing the body, or in some third entity deriving from both. And for this third entity, again, there are two possible modes: it might be either a blend or a distinct form due to the blending.

The synthetic genius of Plotinus enabled him to weave into his system valuable elements from Aristotle and the Stoics. But he was above all a Platonist. He presents the spiritual triad: the One, the Mind, the Soul. From the One comes the Mind, that is, the Nous, which embraces the totality of the knowable or intelligible, to wit, the Cosmos of Ideas. From that, come the Soul of the World and the souls of men. Matter, which is no-thing, gains form and partial reality when informed with soul. Plotinus's attitude toward knowledge of the concrete natural or historic fact, displays a transcendental indifference exceeding that of Plato. Perceptible facts with him are but half-real manifestations of the informing spirit. They were quite plastic, malleable, reducible. Moreover, thoughts of the evil of the multiple world of sense held for Plotinus and his followers a bitterness of ethical unreality which Plato was too great an Athenian to feel.

What measures, then, shall we adopt? What machine employ, or what reason consult by means of which we may contemplate this ineffable beauty; a beauty abiding in the most divine sanctuary without ever proceeding from its sacred retreats lest it should be beheld by the profane and vulgar eye? We must enter deep into ourselves, and, leaving behind the objects of corporeal sight, no longer look back after any of the accustomed spectacles of sense. For, it is necessary that whoever beholds this beauty, should withdraw his view from the fairest corporeal forms; and, convinced that these are nothing more than images, vestiges and shadows of beauty, should eagerly soar to the fair original from which they are derived. For he who rushes to these lower beauties, as if grasping realities, when they are only like beautiful images appearing in water, will, doubtless, like him in the fable, by stretching after the shadow, sink into the lake and disappear. For, by thus embracing and adhering to corporeal forms, he is precipitated, not so much in his body as in his soul, into profound and horrid darkness; and thus blind, like those in the infernal regions, converses only with phantoms, deprived of the perception of what is real and true.

Perhaps, the good and the beautiful are the same, and must be investigated by one and the same process; and in like manner the base and the evil. And in the first rank we must place the beautiful, and consider it as the same with the good; from which immediately emanates intellect as beautiful. Next to this, we must consider the soul receiving its beauty from intellect, and every inferior beauty deriving its origin from the forming power of the soul, whether conversant in fair actions and offices, or sciences and arts. Lastly, bodies themselves participate of beauty from the soul, which, as something divine, and a portion of the beautiful itself, renders whatever it supervenes and subdues, beautiful as far as its natural capacity will admit.
Let us, therefore, re-ascend to the good itself, which every soul desires; and in which it can alone find perfect repose. For if anyone shall become acquainted with this source of beauty he will then know what I say, and after what manner he is beautiful. Indeed, whatever is desirable is a kind of good, since to this desire tends. But they alone pursue true good, who rise to intelligible beauty, and so far only tend to good itself; as far as they lay aside the deformed vestments of matter, with which they become connected in their descent. Just as those who penetrate into the holy retreats of sacred mysteries, are first purified and then divest themselves of their garments, until someone by such a process, having dismissed everything foreign from the God, by himself alone, beholds the solitary principle of the universe, sincere, simple and pure, from which all things depend, and to whose transcendent perfections the eyes of all intelligent natures are directed, as the proper cause of being, life and intelligence. With what ardent love, with what strong desire will he who enjoys this transporting vision be inflamed while vehemently affecting to become one with this supreme beauty! For this it is ordained, that he who does not yet perceive him, yet desires him as good, but he who enjoys the vision is enraptured with his beauty, and is equally filled with admiration and delight. Hence, such a one is agitated with a salutary astonishment; is affected with the highest and truest love; derides vehement affections and inferior loves, and despises the beauty which he once approved. Such, too, is the condition of those who, on perceiving the forms of gods or daemons, no longer esteem the fairest of corporeal forms. What, then, must be the condition of that being, who beholds the beautiful itself?

The sensitive eye can never be able to survey, the orb of the sun, unless strongly endued with solar fire, and participating largely of the vivid ray. Everyone therefore must become divine, and of godlike beauty, before he can gaze upon a god and the beautiful itself. Thus proceeding in the right way of beauty he will first ascend into the region of intellect, contemplating every fair species, the beauty of which he will perceive to be no other than ideas themselves; for all things are beautiful by the supervening irradiations of these, because they are the offspring and essence of intellect. But that which is superior to these is no other than the fountain of good, everywhere widely diffusing around the streams of beauty, and hence in discourse called the beautiful itself because beauty is its immediate offspring. But if you accurately distinguish the intelligible objects you will call the beautiful the receptacle of ideas; but the good itself, which is superior, the fountain and principle of the beautiful; or, you may place the first beautiful and the good in the same principle, independent of the beauty which there subsists.

There were at least two avenues for originality open to Plotinus, even if it was not his intention to say fundamentally new things. The first was in trying to say what Plato meant on the basis of what he wrote or said or what others reported him to have said. This was the task of exploring the philosophical position that we happen to call "Platonism". The second was in defending Plato against those who, Plotinus thought, had misunderstood him and therefore unfairly criticized him. Plotinus found himself, especially as a teacher, taking up these two avenues. His originality must be sought for by following his path.

It is by participation of species that we call every sensible object beautiful. Thus, since everything void of form is by nature fitted for its reception, as far as it is destitute of reason and form it is base and separate from the divine reason, the great fountain of forms; and whatever is entirely remote from this immortal source is perfectly base and deformed. And such is matter, which my its nature is ever averse from the supervening irradiations of form. Whenever, therefore, form accedes, it conciliates in amicable unity the parts which are about to compose a whole; for being itself one it is not wonderful that the subject of its power should tend to unity, as far as the nature of a compound will admit. Hence beauty is established in multitude when the many is reduced into one, and in this case it communicates itself both to the parts and to the whole. But when a particular one, composed from similar parts, is received it gives itself to the whole, without departing from the sameness and integrity of its nature. Thus at one and the same time it communicates itself to the whole building and its several parts; and at another time confines itself to a single stone, and then the first participation arises from the operations of art, but the second from the formation of nature. And hence body becomes beautiful through the communion supernally proceeding from divinity.

We may treat of the Soul as in the body — whether it be set above it or actually within it — since the association of the two constitutes the one thing called the living organism, the Animate.
Now from this relation, from the Soul using the body as an instrument, it does not follow that the Soul must share the body's experiences: a man does not himself feel all the experiences of the tools with which he is working.

The three basic principles of Plotinus' metaphysics are called by him "the One" (or, equivalently, "the Good"), Intellect, and Soul (see V 1; V 9.). These principles are both ultimate ontological realities and explanatory principles. Plotinus believed that they were recognized by Plato as such, as well as by the entire subsequent Platonic tradition.
The One is the absolutely simple first principle of all. It is both "self-caused" and the cause of being for everything else in the universe. There are, according to Plotinus, various ways of showing the necessity of positing such a principle.

Plotinus's Absolute, the First or One, might not be grasped by reason. Yet to approach and contemplate it was the best for man. Life's crown was the ecstasy of the supra-rational and supra-intelligible vision of it. This Plotinean irrationality was lofty; but it was too transcendent, too difficult, and too unrelated to the human heart, to satisfy other men. ...his followers would bring it down to the level of their irrational tendencies. ...There was a tendency to contrast the spiritual and real with the manifold of material nonentity, and a cognate tendency to emphasize the opposition between the spiritual and good, and the material and evil, or between opposing spiritual principles. With less metaphysical people such opposition would take more entrancing shapes in the battles of gods and demons. Probably it would cause ascetic repression of the physical passions. ...within the schools of Neo-Platonism, in the generations after Plotinus... these tendencies flourished, beneath the shelter of his elastic principles. Here three kindred currents made a resistless stream: a transcendental, fact-repelling dialectic; unveiled recognition of the supreme virtue of supra-rational convictions and experiences; and an asceticism which condemned matter and abhorred the things of sense. What more was needed to close the faculties of observation, befool the reason, and destroy knowledge in the end?

The "concept" of the One is not, properly speaking, a concept at all, since it is never explicitly defined by Plotinus, yet it is nevertheless the foundation and grandest expression of his philosophy. Plotinus does make it clear that no words can do justice to the power of the One; even the name, "the One," is inadequate, for naming already implies discursive knowledge, and since discursive knowledge divides or separates its objects in order to make them intelligible, the One cannot be known through the process of discursive reasoning (Ennead VI.9.4). Knowledge of the One is achieved through the experience of its "power" (dunamis) and its nature, which is to provide a "foundation" (arkhe) and location (topos) for all existents (VI.9.6). The "power" of the One is not a power in the sense of physical or even mental action; the power of the One, as Plotinus speaks of it, is to be understood as the only adequate description of the "manifestation" of a supreme principle that, by its very nature, transcends all predication and discursive understanding.

It is now time, leaving every object of sense far behind, to contemplate, by a certain ascent, a beauty of a much higher order; a beauty not visible to the corporeal eye, but alone manifest to the brighter eye of the soul, independent of all corporeal aid. However, since, without some previous perception of beauty it is impossible to express by words the beauties of sense, but we must remain in the state of the blind, so neither can we ever speak of the beauty of offices and sciences, and whatever is allied to these, if deprived of their intimate possession. Thus we shall never be able to tell of virtue's brightness, unless by looking inward we perceive the fair countenance of justice and temperance, and are convinced that neither the evening nor morning star are half so beautiful and bright. But it is requisite to perceive objects of this kind by that eye by which the soul beholds such real beauties. Besides it is necessary that whoever perceives this species of beauty, should be seized with much greater delight, and more vehement admiration, than any corporeal beauty can excite; as now embracing beauty real and substantial. Such affections, I say, ought to be excited about true beauty, as admiration and sweet astonishment; desire also and love and a pleasant trepidation. For all souls, as I may say, are affected in this manner about invisible objects, but those the most who have the strongest propensity to their love; as it likewise happens about corporeal beauty; for all equally perceive beautiful corporeal forms, yet all are not equally excited, but lovers in the greatest degree.

Dualistic ethics which find in matter the principle of unreality or evil, diminish the human interest in physical fact. The ethics of Plotinus consisted in purification and detachment from things of sense. This is asceticism. And Plotinus was an ascetic, not through endeavor, but from contempt. He did not struggle to renounce the world, but despised it with the spontaneity of a sublimated temperament. He seemed like a man ashamed of being in the body, Porphyry says of him. Nor did he wish to cure any contemptible bodily ailments, or wash his wretched body.