Morrissey

M: I don't have relationships at all. It's out of the question.
NK: Why?
M: Partly because I was always attracted to men or women who were never attracted to me. And I was never attracted to women or men who were attracted to me. So that's the problem. I've never met the right person.

M: If you cannot impress people simply by being part of the great fat human race, then you really do have to develop other skills. And if you don't impress people by the way you look, then you really do have to develop other skills. And if you are now going to ask is everything I did just a way to gain some form of attention, well that's not entirely true. It is in a small way, but that's in the very nature of being alive.
PM: Wanting to be loved?
M: To be seen, above all else. I wanted to be noticed, and the way I lived and do live has a desperate neurosis about it because of that. All humans need a degree of attention. Some people get it at the right time, when they are 13 or 14, people get loved at the right stages. If this doesn't happen, if the love isn't there, you can quite easily just fade away. ... In a sense I always felt that being troubled as a teenager was par for the course. I wasn't sure that I was dramatically unique. I knew other people who were at the time desperate and suicidal. They despised life and detested all other living people. In a way that made me feel a little bit secure. Because I thought, well, maybe I'm not so intense after all. Of course, I was. I despised practically everything about human life, which does limit one's weekend activities

In my life
Why do I smile
At people who I'd much rather kick in the eye ?

PM: What annoys you most about yourself?
M: Practically everything. I miss not being able to stand up straight. I tend to slide into rooms and sit on the chair behind the door.

I know I've reached the stage where other artists would bleach their hair or buy a fancy costume, but, inexcusably, I can only be me, which is a full-time occupation and causes terrible backaches.

I think the main thing is that I very rarely recognise the actual interview in print. To me, it's like being painted by an artist. And then you see the picture, and they've painted someone else.

As Anthony said to Cleopatra as he opened a crate of ale:
"Oh, I say, some girls are bigger than others,
Some girls' mothers are bigger than other girls' mothers.

The reports of my death have been greatly understated.

Hello you little charmers... We're The Smiths...

I say a lot of things I don’t mean.

But sometimes I'd feel more fulfilled making Christmas cards with the mentally ill.
I want to live and I want to love.
I want to catch something that I might be ashamed of.

GQ: “Were you in love with Johnny Marr?”
M: “Sexually? Absolutely not. There was a love and it was mutual and equal but it wasn’t physical or sexual. There are lots of people post-Smiths who would like to make some dramatic homosexual story. There never was one. It’s often said that Johnny rescued me but he was also bobbing about in his own lifeboat.”

MS: Have you ever turned to religion?
M: At no time. I am a seriously lapsed Catholic. It was at the usual time, 10, 11, 12, after being forced to go to church and never understanding why and never enjoying it, seeing so many negative things, and realising it somehow wasn't for me. I can only have faith in things I see. I could never be converted to Buddhism.

I'm bereft of spiritual solutions. I do believe that there has to be a better world, but that's rather simple. I'm quite obsessed with death. I've gone through periods of intense envy for people who've died. Yes, I have a dramatic unswayable unavoidable obsession with death. I can remember being obsessed with it from the age of eight and I often wondered whether it was quite a natural inbuilt emotion for people who're destined to take their own lives, that they recognise it and begin to study it. If there was a magical beautiful pill that one could take that would retire you from this world, I think I would take it and I suppose that's the extremity of the obsessiveness.

It (synthesizers and drum machines) has contributed greatly (to an 'antiseptic' sound). And the fact is, when I look back on the last few years I really can't remember that much of the music, such is its lasting effect. I think it's instantly forgettable and it horrifies me in many respects. It's so sterile and non-human. I don't understand why people play non-human music. It really mystifies me when we're human beings. It's strange. I hate it.

Not everybody is absolutely stupid. Why on earth would I be racist, what would I be trying to achieve?

I suppose you have work tomorrow? That's quite sad, really.

I think I'm a realist. Which people who don't like me consider to be pessimism. It isn't pessimism at all. If I was a pessimist I wouldn't get up, I wouldn't shave, I wouldn't watch Batman at 7:30 a.m. Pessimists just don't do that sort of thing.

I think if I'd led an acceptably frivolous teenage life I wouldn't be singing in this group. I'm sure if you have a great time and get everything you want, all the friends you want, then you tend not to be so ambitious. If you're deprived of certain things it makes you very resilient and you kick very hard for what you want. And I wanted something very special because I'd led such an unspecial life previous to the Smiths.

(About Pop Idols) Obviously, it's designed by record company executives who want a cheap success, and they don't want to give money to anybody and they don't want to give contracts, so they've created this world of very bubbly teenagers who want to be "idols" and they think all they have to do is mime quite well and they've made it. ... But it's not the problem of the kids, it's the problem of the record companies, because it's just an inexpensive way for them to have so-called, I won't say "artists", but erm...You're nodding, you know what I mean.