Michael Moore

When Michael Moore makes a movie these days, all hell seems to break loose. It gets to a point where whatever message he's trying to communicate is drowned out by all the media attention, knee-jerk reactionaries, and general resentment.

I can't even think about this movie. I don't WANT to think about it because if I think about it I will have to face an ugly truth that has been gnawing through my head...
This started out as a documentary on gun violence in America, but the largest mass murder in our history was just committed — without the use of a single gun! Not a single bullet fired! No bomb was set off, no missile was fired, no weapon (i.e., a device that was solely and specifically manufactured to kill humans) was used. A boxcutter! — I can't stop thinking about this. A thousand gun control laws would not have prevented this massacre. What am I doing?

Should such an ignorant people lead the world? How did it come to this in the first place? 82 percent of us don't even have a passport! Just a handful can speak a language other than English (and we don't even speak that very well.)

It was the morning of April 20, 1999, and it was pretty much like any other morning in America. The Farmer did his chores. The milkman made his deliveries. The President bombed another country whose name we couldn't pronounce. Out in Fargo, North Dakota, Cary McWilliams went on his morning walk. Back in Michigan, Mrs Hughes welcomed her students for another day of school. And out in a little town in Colorado, two boys went bowling at 6 in the morning. Yes, it was a typical day in the United States of America.

It was so sweet backstage, you should have seen it — The Teamsters were helping Michael Moore into the trunk of his limo.

I'm a millionaire, I'm a multi-millionaire, I'm filthy rich. You know why I'm a multi-millionaire? 'Cause multi-millions like what I do. That's pretty good, isn't it? There's millions that believe in what I do. Pretty cool, huh?

I don't agree with the copyright laws, and I don't have a problem with people downloading the movie and sharing it with people… as long as they're not doing it to make a profit off it as long as they're not, you know trying to make a profit off my labor — I would oppose that but you know I do quite well, and I don't know... I make these books and movies and TV shows because I want things to change, and so the more people who get to see them, the better. And so I'm…I'm happy I'm happy if that happens Should I not be happy?.I don't know, It's like if a friend of yours had the DVD of my movie — gave it to you to watch one night is that person doing something wrong? I'm not seeing any money from that, but he's just handing the DVD to you so that you can watch my movie, that he bought, and you're not buying it — and yet you're watching it without paying me any money you see, I think that's OK, I mean, that's always been okay right? — You share things with people and I think information, and art, and ideas should be shared.

Fahrenheit 9/11: The temperature where freedom burns!

Stop this war! Shame on you Hobbits! Shame on you! This is a fictitious war! This Lord was not elected by the popular — [a computer-generated Oliphaunt steps on Moore, crushing him].

The stories of the pharmaceutical companies and the health insurance companies is told. My film acts as a balance. I exist to provide balance, and I tell you, it isn't much balance. They're on every day, all day. My film is two hours. If for two hours during this entire year, people are exposed to the other side of the story, isn't that ok? It's amazing how they go after me. You asked me back there, 'You're biased. You have only one side.' Well, yeah, I have a bias. I have a bias on behalf of the little guy who doesn't have a say. I'm lucky enough to be able to have this bully pulpit, to be able to say the things I say, on behalf of the people who don't have a voice. The pharmaceutical companies and corporate America, they've got their voice. They own the networks and they can say whatever they want, all the time, and they do. So can we just have two hours for this side to have their say? I hope so, I think so. That's what I'm trying to do.

The film that's leaked onto the Internet is not taken at a movie theatre with a little home video camera, right? The way it's usually done? This is an inside job... Now, if you were a police detective, one of the first questions you'd ask is motive. Who has a vested interest in destroying the opening weekend's box office of this movie? If I were the police or the FBI investigating this felony that's taken place, that's where I would look.
Having said that, I'm glad that people were able to see my movie. ... I'm not a big believer in our copyright laws. I think they're way too restrictive. ... I've never supported this concept of going after Napster. I think the rock bands who fought this were wrong. I think filmmakers are wrong about this. I think sharing's a good thing. ... They said television would kill the movies, it didn't. They said VCRs would kill the movies, it didn't. Now they're saying this is going to kill the movies. It won't. People want to get out of the house and go to the movies! Nothing's ever going to kill that, and I really hope people will do that on opening weekend.

My mum taught me how to read before I went to kindergarden, I always thought that being able to read provided lightness, help to dispel darkness and ignorance stupidity.

Sicko, which takes on America's profoundly profitable and catastrophically inefficient health care system, is Moore's most assured, least antagonistic and potentially most important film.
Anecdotal in nature, Sicko shows what's wrong with our health care system by comparing it with those in Canada, England and France, where universal health care is as ingrained in the social fabric as their national anthems.
Asked what would have happened in England if Margaret Thatcher or Tony Blair had tried to dismantle the National Health Service, an elderly British statesman answers without pause, "There would have been a revolution."

These bastards who run our country are a bunch of conniving, thieving, smug pricks who need to be brought down and removed and replaced with a whole new system that we control.

Because it would be Un-American.

I find it difficult to forgive George W. Bush a lot of things — mostly having to do with not telling the truth about important public matters, and then pretending it was no big deal that he had mislead — and, come to think of it, that's pretty much my problem with Michael Moore, too ... although one is a clown who makes movies and the other is, well, President of the United States. ... we live in the age of the false dichotomy, an old propaganda trap (and logical fallacy) that says, for example: If you're not for the President's way of fighting terrorism (even if you'd like him to provide more information about what, exactly, that is), you are automatically assumed to be on the side of the terrorists; or, if you find fault with Michael Moore's methods, you must be on Bush's side. Of course, neither of these propositions is necessarily true. ... You know how far the level of political discourse in American has fallen when people are asked to take the word of Dick Morris or Michael Moore at face value. So don't. And don't take my word for it. Do your own research.

I would not use either of those words to describe myself. I would say I'm an Eagle Scout and I'm overweight.

Have you seen Fahrenheit 9/11? Watch it. Theres an interesting scene where Bush thinks and waits seven minutes before acting against 9/11. Don't pay attention to the fact it's biased or "propaganda", just see what's going on in the documentary and notice a man like Moore from a place like Flint has been researching and is trying to open our eyes.

The majority of Americans — the ones who never elected you — are not fooled by your weapons of mass distraction.

Whoa. On behalf of our producers Kathleen Glynn and Michael Donovan from Canada, I'd like to thank the Academy for this. I have invited my fellow documentary nominees on the stage with us, and we would like to — they're here in solidarity with me because we like nonfiction. We like nonfiction and we live in fictitious times. We live in the time where we have fictitious election results that elects a fictitious president. We live in a time where we have a man sending us to war for fictitious reasons. Whether it's the fictition of duct tape or fictition of orange alerts we are against this war, Mr. Bush. Shame on you, Mr. Bush, shame on you. And any time you got the Pope and the Dixie Chicks against you, your time is up. Thank you very much.