Ian McCulloch
English singer-songwriter who is the lead singer of the post-punk band Echo & the Bunnymen.
I plan on not dying, but if I have to, I want to die in Liverpool.
How I wanna be exciting is by hitting a great note and people going, "Whoo!" I'm more Tony Bennett. He sings notes that don't exist! The hooter, the hair, the man's like a chiseled Roman god. With the Bunnymen, I was much more Mick Jagger holdin' me willy on stage and wearin' no undies and all that. Now I'm more Cary Grant.
It feels like there's hundreds of bands in Liverpool. There's some okay ones... But really we're the only one I can think of as being a potentially great band...
”I wanna play football for the coach — Liverpool’s coach!”
When all's said and done, I wish them well. I wasn't just the one that ranted a bit in interviews and thought he was great. I thought the group were great.
We weren't managed from the word go, like U2 or Simple Minds, to get bigger and bigger and take over the planet.
"We took loads and loads from the Bunnymen certainly in terms of being inspired, so, you know, we'd already stolen all his ideas." – Chris Martin in Rolling Stone (October 2003)
"When the Teardrops and the Bunnymen started, Mac and I wanted to be absolute megastars. We wanted to be the biggest cult heroes in the world, to be millionaires, to look brilliant, and to be total bastards." – Julian Cope in Spin magazine (May 1987)
It did cause problems at one point. Part of it was down to the name of the group—people tended to think I was Echo. That's why we named the drum-machine Echo because I definitely wasn't.
I was always really dubious about them actually. I'd heard some of Morrison's rambling poetic stuff, and I thought it was really pretentious... But now I think they're a great group, I must admit.
People who leave groups generally sell less records. I feel better and more worthwhile selling less than the last Bunnymen record. I feel more important.
From when Oasis first started I thought, "Thank Christ someone has picked up on that simple technique of saying they're the best thing on the planet and just fronting it." Liam is a part of a great ancestry of lippy, insecure bastard frontmen.
I wasn't into glam-rock. I was just into him. I never really saw him as glam-rock. Actually, I liked T-Rex too. Electric Warrior was great. But Bowie made me think. I just got lost in it—Man Who Sold the World, Hunky Dory, Ziggy Stardust—that era. I thought it was just magical, although I was dead impressionable then. But I though he looked brilliant—I still do. I hated the following he had though, especially around the Aladdin Sane era—it just destroyed his mystique. He doesn't hold that mystique for me now—he's just a normal bloke, I suppose. But I remember in 1972 when he was on the telly doing "Starman"—I couldn't believe it! It was like nothing I'd ever seen before. It's meant to be a bit of an embarrassing admission now to have liked that kind of thing, but I really did. And I remember when I grew out of it and I couldn't get into Ziggy Stardust the way I used to. I felt really sad about it. I played it and nothing happened.
I only ever wanted, since the age of 13, to be the best singer of the best band in the world.
I mean, even Joy Division are a bit over-rated, I think. They're very good live, but on record...
It's the greatest album ever made.
I'm basically an 'appy person, but I'm just not into fun things that much.
I just can't understand why they carried on with the name. It did them no favours, and however it can be defended, it spoils the memory. It's not so much that it's unforgivable, but it is a pity that we don't see each other and never talk to each other.
I like Americans now. They're dead nice. More polite. They aren't like the English, 'Ey Mac, comin' for a pint round the corner, yer twat?' I hate all that stuff, all that wanting you to be like you were in 1982. I've made up me mind that where I'm gonna regain the lost ground is over here in America.
People here are always asking me, "Can you play 'Lips Like Sugar' on an acoustic guitar?" And I'm like, "No!" It was an OK song, I suppose, but it didn't sound like us. We just got sucked into a new mentality on that last album, the sound of Radio America. It did great here, but by then I just thought we weren't good enough any more. It was pretty happening, the States was building and building but it didn't feel good on stage. We weren't really communicating as mates and stuff. I mean, I was used to believing that we were the best group going.