Cass Elliot (1941 – 1974)
American singer who became famous as "Mama" Cass in The Mamas & the Papas; born Ellen Naomi Cohen.
I've always wanted to go to England; I've always felt a tremendous drawing to England — especially the Elizabethan period. I felt I was familiar with a lot of it — more than what I was familiar with from what I read and studied in school. I went to England. I started driving. I drove to Stonehenge and found that I had been there. It was familiar to me. I went to the tower of London and knew that I had been there. It was more than just feeling vibrations, which a lot of people can do — feel, you know, vibrations of a place that has antiquity screaming through it. It was an irrefutable fact. It was like coming home for me.
I've always been so apathetic. I figured okay, maybe the world is going to fall down around me. Now I feel… maybe that's motherhood, too. I want to make a better world, I want to make sure she has some place to walk around.
I've heard that story about kids are high naturally, but I've seen kids that aren't high, kids who've had the high taken out of them.
My philosophy is I'm gonna fight as hard as I can to keep all the bad things from happening. But if they are gonna happen and I happen to be in the city where they are happening — like in the song, "California Earthquake" — then there's not much I can do about it. I can't uproot my whole life, just because I have a feeling that things may not work out all right. There's also always the chance that everything is going to be just swell, guys. Just hang in there. But I don't think it can happen on it's own.
I think I would like to be a Senator or something in twenty years. I don't think I really know enough yet. I'm just 30 now and I wouldn't even be eligible to run for office for another five years. But I have a lot of feelings about things. I know the way I would like to see things for this country and in my travels, when I talk to people, everybody wants pretty much the same thing: peace, enough jobs, no poverty and good education. And I've learned a lot. It's funny. So many people in show business go into politics, and I used to say "What the heck do they know about it?" But when you travel around, you really do get to feel — not to be cliche — the pulse of the country and what people want. I'm concerned and it's not good to be unconcerned and just sit there.
Sweet dreams till sunbeams find you
Sweet dreams that leave all worries behind you
But in your dreams whatever they be
Dream a little dream of me.
I hated it. Everybody'd say, "Hey, mama, what's happening?" Then came the Mamas and Papas and I was stuck with it. And now people call me Mama Cass because of the baby. So I don't know whether I'm gonna be able to really get away from it.
I'm anxious to have a really terrific act. Whatever it takes, it takes.
I know very few who are willing to die for their convictions. I wouldn't be hit on the head with a billy club or have mace squirted in my face. When I was younger and a radical at American University maybe… as a matter of fact, I was at the march on the Pentagon just last year, right in the front taking pictures, just being there to find out what was happening, and I was knocked down and stepped on. I don't want to do that again. It didn't accomplish anything. They lied about everything that happened. Everything in the newspapers were just lies.
My advice is precisely the advice my mother gave me. If you believe you have talent, the next thing you must have is determination. If you keep working, keep striving, and try always to move forward a little bit with every job you do, you’ll eventually make it. And I believe that!
Having the baby changed my life a lot. I don't want to go on the road, you see. It's actually a matter of economics, much like the Vietnamese war, I guess. I didn't want to go on the road and I wanted to stay home with my baby. I guess I could go to Kansas and be a waitress and support my child that way. But I'd rather live comfortable and I wanted to do more creative work. I didn't just want to be part of a group. I wanted to be able to do television, and a movie if it came up, to sort of diversify myself, to extend myself. Within the framework of a group, that freedom is not possible.
She was the unsung hero who was quite willing to stand back and pull the strings — and though everyone thinks someone else had done it. It was like the Wizard of Oz you know... she's back there behind the curtains: "Ignore that woman behind the curtain"...
I would say the world's in terrible shape, but I'm afraid the world would say, "Look who's talking!"
I would love, in all honesty, to do another album with the Mamas and Papas sometime. I miss them. We're still friends and we want to be friends. Because you break up a successful group, which is really what I did, you know, there's some kind of karma here. I don't feel guilty about it; I left the group because I had to. That was being honest.
Let's take the people who have latent thoughts about maybe the United States isn't always right. They hear a song like "Give a Damn" and maybe it'll awaken them. If it makes you cross that bridge between apathy and effective participation, that's great. There's so much talk about the Drug Generation and songs about drugs. That's stupid. They aren't songs about drugs; they're about life. Music can play a huge part, because it's the international communicative force.
I think the most successful way to overthrow any government is through infiltration. It's been proven for years. The dream, of course, is that there is going to be a fantastic cataclysm, and that tomorrow we have Adlai Stevenson in the White House. That's not going to happen, and not because Adlai Stevenson is dead. The reason it's not going to happen is that kind of overthrow is not possible. So I will work in the only way I know how, and that is within the establishment — because that is the only existing program. Let someone come up with another one and if it's good I'd do it in a second.
I say, "Look, I'm here now. There must be a reason I'm here." If that's fatalistic, be that as it may. Where my work is, is where my life is, and if we're falling in the ocean, we're falling into the ocean.
I think everybody who has a brain should get involved in politics. Working within. Not criticizing it from the outside. Become an active participant, no matter how feeble you think the effort is.
I would say that there are certain glittering generalities that can be made about every sign that will hold true about everybody who's a member of that sign. For instance, if you had been a Virgo, you would have understood how I hate to be late. I broke up a group I was in once called The Big Three because one of the guys was chronically late and I couldn't take it. I feel when you're supposed to be some place on time, you're there on time. You don't hang people up. It doesn't matter if you're the President of the United States. That's not what you are here for, to hang people up. When I know somebody's sign, and I usually know everybody's sign whether they tell me or not — after getting into this for several years — it helps me to deal with them. Usually I'd rather let people deal with me. That's a total ego hang up, but that's where it's at.
I think the unique thing about music and graphic art is as oposed to, say, acting and directing, that if you are good you can always create a place for yourself. In acting, for instance, there's only a certain amount of good parts; you have to find the right vehicle. But if you're making good music, man, there's so much room. I think that any group that's really good can make it, anytime. That was my feeling behind the Mamas and Papas. When I heard us sing together the first time… we knew, we knew… this is it. This was when we first came to California, after we'd left the islands.