Bruce Robinson
English film director and screenwriter.
Page 1 of 1
So we got Richard drunk, hauled him in the next morning to read through the scene, and he spewed up through the French windows. He's often told that story, but he never bothers with the rest of it, the part where I have to clear the stuff up, which was awful.
For years you'd sit there waiting for the telephone to ring, and then when they'd cut off the telephone, you'd have to tramp out to the call box over the road. "I've already put two shilling pieces in." That used to go on all the time, phoning the agent. "When's he coming back from lunch? Well, would you tell him I called? Bruce Robinson. No, Bruce. B-R-U-C-E." I used to get that. I was at some crummy party somewhere, and here's my agent talking, and he says, "So, what do you do?" I said, "You're my agent!" I'll never forget him saying that.
When you read a really good piece of prose you think, "You bastard. How can you write like that?" I know bloody well that the bloke has suffered to get it like that. Same thing when you go to a specialist. "Oh, he was marvellous. But do you know, he charged me 150 quid for twenty minutes." Well, you’re not paying ?150 for twenty minutes, you’re paying for forty years of learning how to do the twenty minutes. I think it’s exactly the same with writing. When you pay for a paperback, you’re paying for years of learning how to do it. When I work, I work incredibly hard.
Page 1 of 1