Anthony Burgess (1917 – 1993)
English writer whose novels include the Malayan trilogy, A Clockwork Orange, the Enderby cycle, Nothing Like The Sun, Earthly Powers and The Kingdom Of The Wicked.
‘She is a goddess,’ said Ambrose, drunkenly and stoutly. ‘…And she wants me. She’s the pursuer…She’s the epitome of woman, not,’ he said, ‘not a second-hand bundle of coy erogeneity draped,’ he said, ‘in an all-too-diaphanous robe,’ he said, ‘of pudeur.’
They saw themselves, you could see, as real grown-up devotchkas already, what with the old hipswing when they saw your Faithful Narrator, brothers, and padded groodies and red all ploshed on their goobers....They viddied themselves as real sophistoes....They had the same ideas or lack of, and the same colour hair — a like dyed strawy. Well, they would grow up real today....No school this afterlunch, but education certain, Alex as teacher.
The Turks would do anything with a captured screaming infidel body - make it chew its own penis, thrust the testicles up the anus, saw the noseless earless head off with slow delicacy.
Well before James Joyce, Conrad was forging a vocabulary for the contemporary soul. This book grants us another opportunity to brood over a notable literary martyrdom. [review in the London Independent newspaper of Joseph Conrad: A Biography by Jeffrey Meyers]
Howarth began to see that, however much it was against one’s will and convictions, sides had to be taken, the dreary corrupt world of politics had to be entered by the good and dispassionate, to protect and avenge the weak. But one always entered too late.
If Shakespeare required a word and had not met it in civilised discourse, he unhesitatingly made it up.
Men are influenced by big loud empty words, styes which swell the eyelids and impede vision of the truth.
Whether the French were better colonists than the British is an academic question, but at least such Frenchmen as were planting in Malaya (Pierre Boulle, for instance, and Henri Fauconnier) were kept sane by their own culture and some of them (those two, anyway) produced memorable novels based on their Malayan experiences. The British were mostly philistines, and they left behind a heritage of philistinism. Kampung culture is dying, and a metropolitan culture of art galleries and orchestras seems unlikely to arise. What there is, and flourishing too, is a materialist consumerism that is threatened from the north by the communists and from the west by the militant Islam of the ayatollahs. Mr Butcher’s book deals with a race of people who may well be surveyed in terms of anthropological generalities. There was no room for the brilliant or the eccentric. British Malaya was created by courageous and suffering mediocrities. The building of Singapore in 1819 was a rather different affair.
Writers are not, by nature, respectable: their function is to be subversive.
'But what happens when you die?' 'You’re finished with,' Enderby said promptly. 'Done for. And even if you weren’t – well, you die then, gasp your last, then you’re sort of wandering, free of body. You wander around and then you come in contact with a sort of big thing. What is this big thing? God, if you like.'
…the British. Haughty, white, fat, ugly, by no means sympathique, cold…
…a fetid cabaret with a beer-bar, two houses of ill-fame disguised as coffee-shops…
In China he had spoken good Mandarin, and in ten years this had become his first tongue. Here he found himself with a parish of Hokkien and Cantonese speakers and a few English people whose language he could hardly talk. His French, severed from its sources of nourishment, grown coarse through lack of use, halted and wavered, searching for the right word which Mandarin was always ready to supply.
…when I went out I tried to push the door instead of pulling it. 'Pull it, mate,' said someone, and I had to obey. I nearly tripped over a footscraper and, the door closed, had the impression of loud laughter. The vile blunt-razor-blade wind blew hard from my sister’s house. I felt ashamed and furious. In the East there was politeness, doors opened the right way, there were no footscrapers.
‘…Women I do not much care for myself - I prefer little Greek shepherd-boys…’
It was the afternoon of my eighty-first birthday, and I was in bed with my catamite when Ali announced that the archbishop had come to see me.
[Stendhal] was small, ugly and obsessed by physical beauty in others, and he spent most of his time in salons and opera houses, pursuing aristocratic hostesses and singers. After the fall of Napoleon, he retired to Italy, adopted his pseudonym and began to write. He was a sexual freebooter who “found a notion of obtaining happiness from a virtuous woman wholly inconceivable”. At 59, unmarried, syphilitic and obscure, he dropped dead in a Paris street.
Trade and gambling and a woman occasionally - that was a man’s life.
Oh, love, love, love —
Love on a hilltop high,
Love against a cloudless sky,
Love where the scene is
Painted by a million stars,
Love with martinis
In the cabarets and bars.
Oh, love, love, love...