Anthony Burgess (1917 – 1993)
English writer whose novels include the Malayan trilogy, A Clockwork Orange, the Enderby cycle, Nothing Like The Sun, Earthly Powers and The Kingdom Of The Wicked.
'They say the church spire interferes with their bloody television reception.'
There must always be somebody. However young or insignificant. There has to be somebody who comes from nowhere to say what others are too foolish or too frightened to say.
“...I’m a typical Englishman of my class - a crank idealist.”
‘I come here to your beautiful country -’ Mr Raj saw through the window bare branches, coil after coil of dirty clouds, washing on neighbour lines, forlorn pecking birds, a distant brace of gasometers. ‘- your beautiful country, I say,’ he said defiantly. ‘…So far I have had mixed career. Fights and insults, complete lack of sexual sustenance - most necessary to men in prime of life - and inability to find accommodation commensurate with social position and academic attainments...’
Burgess had been a schoolteacher (like William Golding, author of Lord of the Flies) and evidently sensed a stirring of revolt among the youth of his country and elsewhere in the West, a revolt with which—as a deeply unconventional man who felt himself to be an outsider however wealthy or famous he became, and who drank deep at the well of resentment as well as of spirituous liquors—he felt some sympathy and might even have helped in a small way to foment. And yet, as a man who was also deeply steeped in literary culture and tradition, he understood the importance of the shift of cultural authority from the old to the young and was very far from sanguine about its effects. He thought that the shift would lead to a hell on earth and the destruction of all that he valued....Burgess intuited with almost prophetic acuity both the nature and characteristics of youth culture when left to its own devices, and the kind of society that might result when that culture became predominant.
We know what goes on in the act of love, and those of us who are writers despair of ever finding verbal equivalents for the pain and pleasure of excitation fulfilled in what Rabelais’s translator Urquhart called ‘venerean ecstasy’. A mechanical description of the act tells us nothing, any more than a scientifically accurate account of mastication will convey the flavour of roast duck.
The window opened gently and a still Autumn night entered cat-like. Edwin smelt freedom and London autumn – decay, smoke, cold, motor oil.
There were…smiles of encouragement for Lydgate, and some smiles of sweet pity as well, as for the only leper present.
‘…The senior Mr Denham’s,’ he said, with deadly Eastern realism, ‘will perhaps only be better in the grave
There was me, that is Alex, and my three droogs, that is Pete, Georgie, and Dim, Dim being really dim, and we sat in the Korova Milkbar making up rassoodocks what to do with the evening, a flip dark chill winter bastard though dry. The Korova Milkbar was a milk-plus mesto, and you may, O my brothers, have forgotten what these mestos were like, things changing so skorry these days, and everybody very quick to forget, newspapers not being read much neither.
…slang…the home-made language of the ruled, not the rulers, the acted upon, the used, the used up. It is demotic poetry emerging in flashes of ironic insight.
‘They’ll be in all our houses,’ I said, ‘blackies of all colours, before the century’s over. The new world belongs to Asia.
There's no doubt that there is a homosexual mafia. Indeed, we had a homosexual Prime Minister, Edward Heath. He's been very clever about it. He's never been found accosting little boys. It may have been hushed up. [Remark quoted in Roger Lewis, Anthony Burgess (2002), p. 184]
My son, my son. When I had my son I would explain all that to him when he was starry enough to like understand. But then I knew he would not understand or would not want to understand at all and would do all the veshches [things] I had done...and I would not be able to really stop him. And nor would he be able to stop his own son, brothers. And so it would itty on to like the end of the world.
Though in life Anthony Burgess was amiable, generous and far less self-loving than most writers, I have been disturbed, in the last few years, to read in the press that he did not think himself sufficiently admired by the literary world. It is true, of course, that he had the good fortune not to be hit, as it were, by the Swedes, but surely he was much admired and appreciated by the appreciated and admired.
…something of an anomalous figure in the republic of letters. His…masters were Sterne, Joyce, and Waugh….
‘I know what is love. Love is man and woman in bed.’
Now we were the very good malchicks, smiling good evensong to one and all, though these wrinkled old lighters started to get all shook, their veiny old rookers all trembling round their glasses, and making the suds spill on the table. 'Leave us be, lads,' said one of them, her face all mappy with being a thousand years old, 'we’re only poor old women.'
If the world is to be improved it must be by the exercise of individual charity.
...when I first heard of him (we have never met) [Burgess] was vaguely spoken of as bisexual, never as a thoroughgoing queer.