Anthony Burgess (1917 – 1993)
English writer whose novels include the Malayan trilogy, A Clockwork Orange, the Enderby cycle, Nothing Like The Sun, Earthly Powers and The Kingdom Of The Wicked.
“…Just you bloody hypocrites with your four wives and your ten thousand houris in heaven?…”
Nearly 40 years ago, on the ferry from Liverpool to Dublin, I hurled one of Burgess's Enderby novels into the Irish Sea, unable to bear another word. I have thought of him ever since as a pretentious windbag, a buttonholing bore whose writing had energy but no vitality.
What...remains of Burgess's colossal output? The canon...is limited....at its heart, we find just a handful of books: the Malayan Trilogy, the Enderby novels, A Clockwork Orange, and Earthly Powers. These are lasting and significant. The career, on the other hand, is not inspiring, poisoned by paranoia, bombast and an accumulation of lies so corrosive that the...life...comes down as something rusty and sadly disposable.
In the name of Allah the all-powerful, all-merciful, all-knowing, know that it is by his holy will that we come to free the peoples of the Nile from their immemorial and most cruel bondage to the Turks and the Mamelukes, free men of Frankistan bringing freedom, respecting Islam and the tenets of the holy prophet, may his name be praised and the holy name of Allah most high exalted for ever more.
"We," he said, not without complacency, "are different. We attest the divine paradox. We are barren only to be fertile. We proclaim the primary reality of the world of the spirit which has an infinitude of mansions for an infinitude of human souls. And you too are different. Your destiny is of the rarest kind. You will live to proclaim the love of Christ for man and man for Christ in a figure of earthly love." Preacher's rhetoric; it would have been better in Italian, which thrives on melodious meaninglessness.
I said, with the same weariness as before, "My destiny is to live in a state of desire both church and state condemn and to grow sourly rich in the purveying of a debased commodity. I've just finished a novel which, when I'd read it through in typescript, made me feel sick to my stomach. And yet it's what people want -- the evocation of a past golden time when there was no Mussolini or Hitler or Franco, when gods were paid for with sovereigns, Elgar's Symphony Number One in A flat trumpeted noblimente a massive hope in the future, and the romantic love of a shopgirl and a younger son of the aristocracy portended a healthful inflection but not destruction of the inherited social pattern. Comic servants and imperious duchesses. Hansom cabs and racing at Ascot. Fascists and democrats alike will love it. My destiny is to create a kind of underliterature that lacks all whiff of the subversive."
"Don't," Carlo said, "underestimate yourself."
…all heroes and heroines trying to approximate, through barriers of pigmentation, to the Hebraico-Caucasian norm of Hollywood
Nabby Adams, supine on the bed, grunted. It was four o’clock in the morning and he did not want to be talking. He had had a confused coloured dream about Bombay, shot with sharp pangs of unpaid bills. Over it all had brooded thirst, thirst for a warmish bottle of Tiger beer. Or Anchor. Or Carlsberg. He said, 'Did you bring any beer back with you?'
...it is recognised in England that home drinking is no real pleasure. We pray in a church and booze in a pub: profoundly sacerdotal at heart, we need a host in both places to preside over us. In Catholic churches as in continental bars the host is there all the time. But the Church of England kicked out the Real Presence and the licensing laws gave the landlord a terrible sacramental power. Ted was giving me grace of his own free will, holding back death – which is closing time – making a lordly grant of extra life.
The story of English literature, viewed aesthetically, is one thing; the story of English writers is quite another. The price of contributing to the greatest literature the world has ever seen is often struggle and penury: art is still too often its own reward. It is salutary sometimes to think of the early deaths of Keats, Shelley, Byron, Chatterton, Dylan Thomas, of the Grub Street struggles of Dr. Johnson, the despair of Gissing and Francis Thompson. That so many writers have been prepared to accept a kind of martyrdom is the best tribute that flesh can pay to the living spirit of man as expressed in his literature. One cannot doubt that the martyrdom will continue to be gladly embraced. To some of us, the wresting of beauty out of language is the only thing in the world that matters.
A white woman tipsy at the club, discoursing sexual needs unsatisfied by an overworked and debilitated husband, was a great topic of scandal in the bazaar. It was a man’s world, and a realistic planter or government officer should have been content with beery sodality and the odd session with a geisha or perempuan jahat. But these men had been to decent schools and were romantic. It was the same in Burma, as Orwell reminds us. The French suffered less.
…British louts with guitars and emetic little songs…infantile screamers…
…a man who sold meat but knew nothing of the poetry of the slaughterhouse…. Ted Arden was no ice-cream butcher.
Journalism may not dare too much. It can be gently humorous and ironic, very lightly touched by idiosyncrasy, but it must not repel readers by digging too deeply. This is especially true of its approach to language: the conventions are not questioned. The questioning of linguistic conventions is one of the main duties of what we call literature.
Penang is a paradise, and east coast Kelantan has beautiful Malay women who walk proudly ahead of their husbands and scorn Koranic purdah....
…enjoyed Dravidian transports.
“…as the cinema shows us, they are much more accessible and, for that matter, much more wanton than our own women"
Some young men could not afford to marry or were statutorily forbidden to do so, and then their visits to Japanese brothels engendered guilt as well as VD. The official attitude to taking brown mistresses was always ambivalent. It let the side down, but a sleeping dictionary was the only way to learn the language. Mr Butcher is good on all this, and he gives such tables as one headed ‘Ethnicity of Women from whom European Men Treated at the Sultan Street Clinic Contracted Venereal Disease, 1927-1931.’ The girls of Siam were the great infectresses, but the Malays came a close second. The Japanese, who had regular medical inspections and lived in brothels cleaner than hotels, were down with the Eurasians to 0.4% in 1931. This damnable sex, by no means to be tamed by quinine or cricket. Guilt guilt guilt....
A heavy task, but there was light relief
In the Germanic ambience, boisterous, brash,
Torchlit parades and pogroms, guttural grief
In emigration queues, the smash and crash
Of pawnshop windows by insentient beef
In uniform, the gush of beer, the splash
Of schnapps, the joy of being drunk and Aryan,
Though Hitler was a teetotalitarian.
Human pain meant
But little in the Gulf War's visual grammar, a
Big feast of death to feed the cinecamera
...the eyes, black, were all East - houris, harems, beds scented with Biblical spices; nose and lips were pan-Mediterranean. Her body...was that of the Shulamite and Italian film stars. The décolletage, with its promise of round, brown, infinitely smooth, vertiginous sensual treasure, was a torment to the blood....Many had promised marriage, but all had gone home, the promise unfulfilled....quite considerable capacity for all kinds of sensuous pleasure.
"And now," Herod calmly said, "You can kill all the new-born....Kill them all....take your men and let your men take their swords. Make sure they're sharp. To Bethlehem. Hack. Lunge. Chop. Kill."