Just as I was starting on my journey the idea came to me for a new symphony, this time with a program, but a program which will remain an enigma to all— let them guess it who can. It will be called "A Programmatic Symphony" (No. 6). During my trip, while composing in my mind, I frequently shed tears. When I got home I settled down to sketch it, and the work went so furiously that I had the first movement completely ready in less than four days and the remaining movements are already clearly outlined in my head. Half the third movement is already done. There will be much innovation of form in this symphony— and incidentally, the finale will not be a noisy allegro but, on the contrary, a long drawn-out adagio. You can't imagine what bliss I feel, being convinced that my time is not yet passed and I can still work. Perhaps, of course, I'm mistaken, but I don't think so.
--
Letter to a nephew (late February 1893)Pyotr Ilyich Tchaikovsky
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It seemed to me that had Haydn lived to our day he would have retained his own style while accepting something of the new at the same time. That was the kind of symphony I wanted to write: a symphony in the classical style. And when I saw that my idea was beginning to work, I called it the Classical Symphony.
Sergei Prokofiev
"The point of recapitulation in the first movement of Beethoven's Ninth Symphony unleashes one of the most horrifyingly violent episodes in the history of music....The point is not to hold up Beethoven as exceptionally monstrous. The Ninth Symphony is probably our most compelling articulation in music of the contradictory impulses that have organized patriarchal culture since the Enlightenment. Moreover, within the parameters of his own musical compositions, he may be heard as enacting a critique of narrative obligations that is...devestating."
Susan McClary
"It is divided into three movements, which closely approximate a symphony in form. The first, 'From Dawn to Noon on the Sea', begins with a thin, hauntingly grayed quality and grows animated in such a spiritual manner that it is hard to see how Debussy's friend Erik Satie could have forsaken his customary elegance to remark that he particularly enjoyed the part at a quarter past eleven."
Erik Satie
On his controversial initiative "Opportunity NYC": "Now, you might say, 'why should we pay people for doing what they're supposed to do?' It's a fair question -- but think of it this way. Every other anti-poverty program that's been tried has failed to get the national poverty rate below 11 percent. ... Why shouldn't we experiment with a program built around the one strategy that has proven time and again to work wonders -- capitalism?"
Michael Bloomberg
You ask if I would have been different without "Party guidance"? Yes, almost certainly. No doubt the line I was pursuing when I wrote the Fourth Symphony would have been stronger and sharper in my work. I would have displayed more brilliance, used more sarcasm, I could have revealed my ideas openly instead of having to resort to camouflage.
Dmitri Shostakovich
Tchaikovsky, Pyotr Ilyich
Tibbets, Paul
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