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It is the bareness of drawing that I like. The act of drawing is what locates, suggests, discovers. At times it seems enough to draw, without the distractions of color and mass. Yet it is an old ambition to make drawing and painting one. Usually I draw in relation to my painting, what I am working on at the time. On a lucky day a surprising balance of forms and spaces will appear and I feel the drawing making itself, the image taking hold. This in turn moves me towards painting -anxious to get to the same place, with the actuality of paint and light.
--
transcript of a public forum at Boston university, conducted by Joseph Ablow, 1966; as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, pp. 63-75

 

Phillip Guston

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I rather feel that painting is a form of drawing and the painting that I like has a form of drawing to it. I don’t see how it could be disassociated from the nature of drawing.. ..I find in many cases a drawing has been the subject of the painting – that would be a preliminary stage to that particular painting.. ..the painting can develop something that is not at all related to the drawing and have no particular mood about it at all; it’s just a cool kind of reality that has a series of involvements within it; and the pure excitement of those things happening within this form is enough for that particular panting..

 

Franz Kline

 

l paint what cannot be photographed, and l photograph what l do not wish to paint. lf it is a portrait that interests me, a face, or a nude, I will use my camera. It is quicker than making a drawing or a painting. But if it is something I cannot photograph, like a dream or a subconscious impulse I have to resort to drawing or painting. To express what I feel I use the medium best suited to express that idea, which is also always the most economical one. l am not at all interested in being consistent as a painter, and object-maker or a photographer. I can use several different techniques, like the old masters who were engineers, musicians and poets at the same time. I have never shared the contempt shown by painters for photography: there is no competition involved, painting and photography are two media engaged in different paths. There is no conflict between the two.

 

Man Ray

 

I am biased towards the belief that every painter must be grounded in strong and faultless drawing skills, and until one has not experimented with all styles of painting and has not comprehended their potentialities one's work is not complete. Even an abstract painter must know how to draw as well as a figurative artist. As for me, drawing has never created any problem, since I know how to draw anatomy correctly if I had to, I understand the function of muscle groups and sculpture.

 

Guity Novin

 

An invisible drawing made in the air. Make a drawing behind your back. Make a stolen painting.

 

Jasper Johns

 

Personally I would like to have pupils, a studio, pass on my love to them, work with them, without teaching them anything.. ..A convent, a monastery, a phalanstery of painting where one could train together.. ..but no programme, no instruction in painting.. ..drawing is still alright, it doesn’t count, but painting – the way to learn is to look at the masters, above all at nature, and to watch other people painting..

 

Paul Cezanne