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He was a man for all seasons, perhaps the true renaissance man.
--
Richard Fitzwilliams, in in "Tributes to 'wonderful' Ustinov" at BBC News (29 March 2004)

 

Peter Ustinov

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Renaissance Italy became a kind of Hollywood collection of sets of antiquity, and the new visual antiquarianism of the Renaissance provided an avenue to power for men of any class.

 

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What does winter or autumn or spring or summer know of memory. They know nothing of memory. They know that seasons pass and return. They know that they are seasons. That they are time. And they know how to affirm themselves. And they know how to impose themselves. And they know how to maintain themselves, What does autumn know of summer. What sorrows do seasons have. None hate. None love. They just pass.

 

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The seasons come and the seasons go, the summer fruit and the winter snow, but here we are, and here we stay — until the time to go away.
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I cannot help thinking that historians, looking back from the far future, will record this age as the Third Renaissance. We who are lost in it, working or looking on, can neither tell what we are doing, nor where standing; but we cannot help observing, that, just as in the Greek Renaissance, worn-out Pagan orthodoxy was penetrated by new philosophy; just as in the Italian Renaissance, Pagan philosophy, reasserting itself, fertilised again an already too inbred Christian creed; so now Orthodoxy fertilised by Science is producing a fresh and fuller conception of life — a love of Perfection, not for hope of reward, not for fear of punishment, but for Perfection's sake. Slowly, under our feet, beneath our consciousness, is forming that new philosophy, and it is in times of new philosophies that Art, itself in essence always a discovery, must flourish. Those whose sacred suns and moons are ever in the past, tell us that our Art is going to the dogs; and it is, indeed, true that we are in confusion! The waters are broken, and every nerve and sinew of the artist is strained to discover his own safety. It is an age of stir and change, a season of new wine and old bottles. Yet, assuredly, in spite of breakages and waste, a wine worth the drinking is all the time being made.

 

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Nuto, who had never really gone away, still wanted to understand the world and change it, and upset the cycle of the seasons. Or perhaps he didn't, and still believed only in the moon. But I, who didn't believe in the moon, knew that when all was said and done only the seasons matter and they are in your bones and they nurtured you when you were a boy.

 

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