The leg division, Mr Spiggot. You are deficient in it to the tune of one. Your right leg, I like. I like your right leg, it's a lovely leg for the role. That's what I said when I saw it come in. I said, "that's a lovely leg for the role". I've got nothing against your right leg. The trouble is — neither have you. You fall down on your left.
--
"One Leg Too Few" (1964) involving a one-legged man auditioning for the role of Tarzan.Peter Cook
In the pivotal title role (Rigoletto - ed.), Vytautas Juozapaitis - fondly remembered for his marvelous performance of the title role in Mozart's "Don Giovanni" with the Lirico here in 2003 - sang with a dark, commanding, tragedy-tinged baritone that vividly conveyed the character's flawed humanity and despair. And he masterfully delivered the role's two big arias.
Vytautas Juozapaitis
Everything on Tubular Bells was done on the first take – it was lovely, so spontaneous. I had such a long time to prepare it, and I had just one little chance to do it, and now I listen to it and it has a lovely spontaneous energy. It's got mistakes, and I could easily have cut them out, but I left them on.
Mike Oldfield
Standing ten feet away from Lila was sort of kickass with her nails drumming on the box with the slot in, where we put everything that we rip in half, and with her blue-eyed beauty and with the gum she was chewing and how lovely she was, in that way that makes you want to find something else lovely just so you can give it to her and see how really kickass it is to have to lovely things next to each other.
Daniel Handler
Your lesson plan is excellent — except for the Emily Dickinson line: "There is no frigate like a book." The sentiment is lovely, the quotation is apt — only trouble is the word "frigate." Just try to say it in class — and your lesson is over.
Bel Kaufman
To work with her, you had to really understand how she saw your role, not how you saw it. She had a very clear-cut understanding of her role, and you had to fit into that interpretation. She was so great, [yet] she could not distance herself from a role. It was actually quite terrifying — she would at times actually cry while singing! You must only portray the emotions, not become personally involved. But Maria always became the role. She was such a servant of the text and the composer, she would tear her voice to ribbons to accomplish it!
Maria Callas
Cook, Peter
Cook, Rick
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