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Peter Schmidt (artist)

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My friend Peter Schmidt used to talk about ‘not doing the things that nobody had ever thought of not doing’, which is an inverse process – where you leave out an assumption that everybody has always made and see what happens (e.g. music has to be made of intentionally produced sounds was the assumption that Cage left out).
--
Brian Eno, in A Year With Swollen Appendices, p. 178

 
Peter Schmidt (artist)

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[T]he assumption describes our actions, not our thoughts. If you had to understand something intellectually in order to do it, none of us would be able to walk.
Economics is based on the assumption that people have reasonably simple objectives and choose means to achieve them. Both assumptions are false-but useful.
Suppose someone is rational only half the time. Since there is generally one right way of doing things and many wrong ways, the rational behavior can be predicted but the irrational cannot. If we assume he is rational, we predict his behavior correctly about half of the tie - far from perfect, but a lot better then nothing. If I could do well at the racetrack I would be a very rich man.
[R]ationality is an assumption I make about other people. I know myself.
[R]ationality is an assumption I make about other people. I know myself well enough to allow for the consequences of my own irrationality. But for the vast mass of my fellow humans, about whom I know very little, rationality is the best predictive assumption available. (pp.3-5)

 
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What is this thing called the existence? Is it all the things that we perceive it to be? Or is it something else? It's a gift. One of my favorite examples is the bird in the cage. You may think that you own the bird inside the cage, but you're wrong. You only own the cage. People think that they need to have a very fancy cage, that the more incredible the cage, the more incredible the bird will look. But the cage and the bird are really two different things. When the bird is gone, all that will be left is the cage.

 
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What will happen we don’t know, but plans are being made and programs implemented on the assumption that they may lead to the death of several million people in the next couple of weeks. Very casually, with no comment, no particular thought about it, that’s just kind of normal, here, and in a good part of Europe.

 
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"...We met in 1950, through John Cage, when I was sixteen and he in his early twenties. We were all doing work that was clearly different, newly different - from one another, but joined by our delight in each other's work (and by John Cage's organizing the concerts of it and a few musicians, David Tudor centrally, playing it), and by its difference from any other we knew. I still find mysterious his way of putting the music together, or rather of erasing any traces of a sense of its having been put together: it's just there. How does he do it? He's the only composer I know whose work seems made in a way that cannot be accounted for, explained, by any other means than the impossible one of becoming that composer oneself. He talked wonderfully, sharply, outrageously, but that wasn't quite his music. One thinks of the disparity of his large, strong presence and the delicate, hypersoft music, but in fact he too was, among other things, full of tenderness and the music is, among other things, as tough as nails." - Christian Wolff, Composer and Pianist

 
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