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I still don't look at movies twice. It's funny, I just feel I got it the first time. With music it's different. People respond so differently to the whole issue of seeing a movie many times. I'm astonished when I talk to really good critics, who know their stuff and will see a film eight or ten or twelve times. I don't see how they can do it without hating the movie. I would.
--
"The Perils of Being Pauline," interview with Francis Davis, The New Yorker (October 2001)

 

Pauline Kael

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Sometimes if you go to see a very, very, happy movie, a Hollywood movie, you can walk out of the movie and feel very depressed because it's so false. And other times you see a very depressing movie and it makes you feel good, happy because you've seen something real. You've seen something that talks to you and says that your bad feelings are legitimate. And then you can go further with that and say, "Well, this bad feeling is good, and this good feeling is bad, but is it good to feel bad and is it bad to feel good?" I'm concerned with feelings. And sometimes when I feel good, I'll write something very negative because I have the strength to do it. But when I really, really feel very bad, what I want to do is make myself feel better, so I'll write something happier.

 

John S. Hall

 

The film that's leaked onto the Internet is not taken at a movie theatre with a little home video camera, right? The way it's usually done? This is an inside job... Now, if you were a police detective, one of the first questions you'd ask is motive. Who has a vested interest in destroying the opening weekend's box office of this movie? If I were the police or the FBI investigating this felony that's taken place, that's where I would look.
Having said that, I'm glad that people were able to see my movie. ... I'm not a big believer in our copyright laws. I think they're way too restrictive. ... I've never supported this concept of going after Napster. I think the rock bands who fought this were wrong. I think filmmakers are wrong about this. I think sharing's a good thing. ... They said television would kill the movies, it didn't. They said VCRs would kill the movies, it didn't. Now they're saying this is going to kill the movies. It won't. People want to get out of the house and go to the movies! Nothing's ever going to kill that, and I really hope people will do that on opening weekend.

 

Michael Moore

 

I am really astonished at the number of violent acts.
I'm not saying that the movies created these situations, because there are a whole bunch of things.
But a lot of people in the movie industry tend to run and hide from it like ostriches. Movie industry people are definitely in denial right now, but you do become de-sensitized to violence when you see it on the screen so often.
Let's face it, violence exists for one reason in movies, and that's to get an effect, create an emotion, sell tickets.

 

Madeleine Stowe

 

Here’s something you don’t hear said about many movie critics: people love Roger Ebert. ... There’s a good reason for this: Ebert doesn’t stand between moviegoers and the audience. Rather, his regular readers are serious movie-lovers who see him as their rep, the guy out there fighting to make movies less stupid, more entertaining, more intelligent, more everything. You don’t have to agree with him — and I certainly didn’t in this book, when he ragged on Team America and Jesus is Magic, two movies where I laughed myself sick — to know that he’s on your side. He sees the bad movies so you don’t have to, and he’s seen the same ones over and over. ... Mere bile, though, isn’t his game; he’s as interested in why movies fail as why they work. A lot of the time, it’s obvious: because it’s made by morons for morons. In these cases, Ebert drags us through the plot in as entertaining a fashion as possible. ... Forty years on, he’s still a moviegoer’s best friend.

 

Roger Ebert

 

I recently published a book about movies I hated, and people have been asking me which reviews are harder to write — those about great movies, or those about terrible ones. The answer is neither. The most unreviewable movies are those belonging to the spoof genre — movies like Airplane! and The Naked Gun and all the countless spin-offs and retreads of the same basic idea... the bottom line in reviewing a movie like this is, does it work? Is it funny? Yes, it is. Not funny with the shocking impact of Airplane! which had the advantage of breaking new ground. But also not a tired wheeze like some of the lesser and later Leslie Nielsen films. To get your money's worth, you need to be familiar with the various teenage horror franchises, and if you are, Scary Movie delivers the goods.

 

Roger Ebert