In movies, the balance between art and business has always been precarious, with business outweighing art, but the business was, at least, in the hands of businessmen who loved movies. As popular entertainment, movies need something of what the vulgarian moguls had — zest, a belief in their own instincts, a sentimental dedication to producing pictures that would make their country proud of their contribution, a respect for quality, and the biggest thing: a willingness to take chances. The cool managerial sharks don’t have that; neither do the academics. But the vulgarians also did more than their share of damage, and they’re gone forever anyway. They were part of a different America. They were, more often than not, men who paid only lip service to high ideals, while gouging everyone for profits. The big change in the country is reflected in the fact that people in the movie business no longer feel it necessary to talk about principles at all.
Pauline Kael
I don't blame the people for the fact that so many movies are bad. I think there's a corrupt, perverted, lazy and sloppy attitude that's pervasive in the movie business. The whole entertainment business is kind of crumbling around us.
Joseph Gordon Levitt
I don't blame the people for the fact that so many movies are bad. I think there's a corrupt, perverted, lazy and sloppy attitude that's pervasive in the movie business. The whole entertainment business is kind of crumbling around us.
Joseph Gordon-Levitt
The truth is nobody finances tiny movies anymore. I mean there are so many movies I like that I hope will get their money together. It's a different world than it was when I first started making independent movies. Something is really wrong right now. I was a part of it and things are so different now. You can't make a movie for three million dollars with a kind of known actor. It's impossible. I think in general it has to do with the financial state of the country. It's tough for everybody in every business, but the independent movies have really suffered I think…they would never have made Secretary. They never would have financed Secretary with an unknown actress and James Spader. There's just no way.
Maggie Gyllenhaal
One’s moviegoing tastes and habits change — I still like in movies what I always liked but now, for example, I really want documentaries. After all the years of stale stupid acted-out stories, with less and less for me in them, I am desperate to know something, desperate for facts, for information, for faces of non-actors and for knowledge of how people live — for revelations, not for the little bits of show-business detail worked up for us by show-business minds who got them from the same movies we’re tired of.
Pauline Kael
[Hollywood] is a very male business, and it has in vast portions of it — the whole action movie part of it might as well be the United States Army in 1943 in that the ethics of it are, you know, boot camp and action movies and guns and explosions and all the rest of it, and that – so that means that about 50% of the business is not only pretty much closed off to women, but women don’t even wanna be in it!
Nora Ephron
Kael, Pauline
Kafka, Franz
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