Picasso has a volatile, explosive presence. He seems to take art back to an earlier function, before the centuries of museums and masterpieces; he is the artist as clown, as conjurer, as master funmaker.
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"Le Myst?re Picasso," p. 400Pauline Kael
Buddha declared before his death that he would be coming again after twenty-five centuries, and that his name would be Maitreya. Maitreya means the friend. Buddhas don't come back; no enlightened person ever comes back, so it is just a way of saying... What he was saying is of tremendous importance. It has nothing to do with his coming back; he cannot come back. What he meant was that the ancient relationship between the Master and the disciple would become irrelevant in twenty-five centuries. It was his clarity of perception — he was not predicting anything — just his clarity to see that as things are changing, as they have changed in the past and as they go on changing, it would take at least twenty-five centuries for the Master and disciple relationship to become out of date. Then the enlightened Master will be only the friend. I had always wanted not to be a Master to anybody. But people want a Master, they want to be disciples; hence, I played the role. It is time that I should say to you that now many of you are ready to accept me as the friend. Those who are in tune with me continuously, without any break, are the only real friends...
Osho
Our only means of original manifestation is to vomit these old masterpieces. Masterful spittle is our only opportunity to create within the Cinema our masterpieces. That's what Picasso stands for. He is a creator of deglutition and spittle, of old well-digested canvases.
Isidore Isou
Imitation of the art of earlier centuries, as that done by Picasso and Modigliani, is carried on not to perpetuate ancient values but to demonstrate that new aesthetic orders now prevail.
Harold Rosenberg
[I'm] a sponge, the more I absorb, the more I am able to articulate my vision, as artists do, like Picasso. I'm an artist in that light. I went from being an artist to an artiste.
Usher (entertainer)
Exhibitions of minority art are often intended to make the minority itself more aware of its collective experience. Reinforcing the common memory of miseries and triumphs will, it is expected, strengthen the unity of the group and its determination to achieve a better future. But emphasizing shared experience as opposed to the artist's consciousness of self (which includes his personal and unshared experience of masterpieces) brings to the fore the tension in the individual artist between being an artist and being a minority artist.
Harold Rosenberg
Kael, Pauline
Kafka, Franz
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