Movies make hash of the schoolmarm’s approach of how well the artist fulfilled his intentions. Whatever the original intention of the writers and director, it is usually supplanted, as the production gets under way, by the intention to make money — and the industry judges the film by how well it fulfills that intention. But if you could see the "artist’s intentions" you’d probably wish you couldn’t anyway. Nothing is so deathly to enjoyment as the relentless march of a movie to fulfill its obvious purpose. This is, indeed, almost a defining characteristic of the hack director, as distinguished from an artist.
Pauline Kael
Part of how we come to take command of our world, to take command of our environment, to make these tools by which we're able to do this, is we ask ourselves questions about it the whole time. So this man starts to ask himself questions. "This world," he says, "so who made it?" Now, of course he thinks that, because he makes things himself. So he's looking for someone who would have made this world. He says, "Well, so who would have made this world? Well, it must be something a little like me. Obviously much much bigger. And necessarily invisible. But he would have made it. Now why did he make it?" Now we always ask ourselves "why?" because we look for intention around us; because we always intend– we do something with intention. We boil an egg in order to eat it. So we look at the rocks, and we look at the trees, and we wonder what intention is here even though it doesn't have intention.
Douglas Adams
The important thing is what we do, and not the deceitful theory of reading others' intentions. This is also a new thing — they say: "We know that Iran's intention is to pursue nuclear weapons." Do you have a device that reads intentions?
Ali Larijani
The movie industry is run by accountants in Hollywood and it's as simple as this; everyone has a number on their computer. They can look up Jeremy Irons and see what my last five movies have made. Say you want to make a $20m picture, which is relatively cheap. If Jeremy makes $9m, the director makes $5m, then you need a leading lady, and they just go through those figures - that's how casting happens. And none of my movies has made a lot of money.
Jeremy Irons
I saw Stay as You Are and Tess only. I didn't ask her if she saw every movie I did. I could never think about that. Why do I have to see every movie she did? Why? Sometimes she did movies with people I was bored by. I don't care about this or that director. So if she is so beautiful in a movie, it is because of her, not a director. So why should I see the movie then? As long as I am not blind, I don't need a dog to see. If I am blind, maybe I would like the dog to lead me. I am not blind. I don't have to see her movies. I know my child.
Klaus Kinski
I knew that the mix of new social currents, the irresistible force of creators determined to make "their" films and the possible intrusion of government into the movie arena demanded my immediate action. ... My first move was to abolish the old and decaying Hays Production Code. I did that immediately. Then on November 1, 1968, we announced the birth of the new voluntary film rating system of the motion picture industry ... the emergence of the voluntary rating system filled the vacuum provided by my dismantling of the Hays Production Code. The movie industry would no longer "approve or disapprove" the content of a film, but we would now see our primary task as giving advance cautionary warnings to parents so that parents could make the decision about the movie-going of their young children.
Jack Valenti
Kael, Pauline
Kafka, Franz
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