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Alas! The memories that are swallowed up in the abyss of the years! I’m all alone now+ I would never be able to escape from the self-seeking of human kind anyway. Now it’s theft, conceit, infatuation, and now it’s rapine or seizure of one’s production. But Nature is very beautiful. They can’t take that away from me. (the last conversation Vollard had with Cezanne, ed.)
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artist quotes, Cézanne, from a conversation in Cézanne’s studio in Aix, the End of 1905; as quoted in "Cézanne", Ambroise Vollard, Dover publications Inc. New York, 1984, p. 112

 

Paul Cezanne

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It is not what the artist does that counts. But what he is. Cézanne would never have interested me if he had lived and thought like Jacques-Émile Blanche, even if the apple he had painted had been ten times more beautiful. What interests us is the anxiety of Cézanne, the teaching of Cézanne, the anguish of Van Gogh, in short the inner drama of the man. The rest is false.

 

Pablo Picasso

 

All morning, I did nothing but repeat: "Man is an abyss, man is an abyss." - I could not, alas, find anything better.

 

Emil Cioran

 

If you only notice human proceedings, you may observe that all who attain great power and riches, make use of either force or fraud; and what they have acquired either by deceit or violence, in order to conceal the disgraceful methods of attainment, they endeavor to sanctify with the false title of honest gains. Those who either from imprudence or want of sagacity avoid doing so, are always overwhelmed with servitude and poverty; for faithful servants are always servants, and honest men are always poor; nor do any ever escape from servitude but the bold and faithless, or from poverty, but the rapacious and fraudulent. God and nature have thrown all human fortunes into the midst of mankind; and they are thus attainable rather by rapine than by industry, by wicked actions rather than by good. Hence it is that men feed upon each other, and those who cannot defend themselves must be worried.

 

Niccolo Machiavelli

 

There science is dealing with physical facts, in art we are dealing with psychic effects. With this I come to my first statement: The source of art – that is, where it comes from – is the discrepancy between physical fact and psychic effect. That’s what I’m talking about. When I want to speak about why I am doing the same thing now, which is squares, for – how long? – 19 years. Because there is no final solution in any visual formulation. Although this may be just a belief on my part, I have some assurances that that is not the most stupid thing to do, through Cézanne, whom I consider as one of the greatest painters. From Cézanne we have, so the historians tell us – 250 paintings of Mont St. Victoire. But we know that Cézanne has left in the fields often more than he took home because he was disappointed with his work. So we may conclude he did many more than 250 of the same problem.

 

Joseph Albers

 

Of course it's tempting to close one's eyes to history, and instead speculate about the roots of war in some possible animal instinct: as if, like the tiger, we still had to kill to live, or, like the robin redbreast, to defend a nesting territory. But war, organized war, is not a human instinct. It is a highly planned and cooperative form of theft. And that form of theft began 10,000 years ago when the harvesters of wheat accumulated a surplus and the nomads rose out of the desert to rob them of what they themselves could not provide. The evidence for that, we saw, in the walled city of Jericho and its prehistoric tower... That is the beginning of war.

 

Jacob Bronowski