Yes, a bunch of carrots, observed directly, painted simply in the personal way one sees it, worth more than the Ecole’s everlasting slices of buttered bread, that tobacco-juice painting, slavishly done by the book? The day is coming when a single original carrot will give birth to a revolution.
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What I know or have seen of his life, Joachim Gasquet, as quoted in Joachim Gasquet’s Cézanne, - a Memoir with Conversations, Thames and Hudson, London 1991 p. 68Paul Cezanne
One day I had painted a bunch of keys on a canvas, my bunch of keys. I didn’t know what to put next to them. I needed something that would be the absolute opposite of a bunch of keys. So when I finished work I went out. I had only walked a few yard when what should I see in a shop windows? A postcard of the Mona Lisa! At once I knew that was what I needed; what could have made a greater contrast to the keys?. ..Then I also added a can of sardines. It was such a strong contrast. (on his painting ‘La Joconde aux Clés’)
Fernand Leger
I do both: I make preliminary drawings, other times I paint directly, other times I start a painting and then paint it out so that it becomes another painting or nothing at all. If a painting doesn’t work, throw it out. When I work from preliminary sketches, I don’t just enlarge these drawings, but plan my areas in a large painting by using small drawings for separate areas. I combine them in a final painting, often adding to or subtracting from the original sketches.. ..There are certain canvases here in my studio - the little one over there – that I’ve worked on for a good six months – painting most of it out and then painting it over and over again. I think I’ve got it now. (1958)
Franz Kline
The great artists of the world are never Puritans, and seldom even ordinarily respectable. No virtuous man — that is, virtuous in the Y.M.C.A. sense — has ever painted a picture worth looking at, or written a symphony worth hearing, or a book worth reading.
H. L. Mencken
Revolution is indeed a violent process. But if it is to result only in a change of dictatorship, in a shifting of names and political personalities, then it is hardly worth while. It is surely not worth all the struggle and sacrifice, the stupendous loss in human life and cultural values that result from every revolution. If such a revolution were even to bring greater social well being (which has not been the case in Russia) then it would also not be worth the terrific price paid: mere improvement can be brought about without bloody revolution.
Emma Goldman
The artist should not only paint what he sees before him, but also what he sees in himself. If, however, he sees nothing within him, then he should also refrain from painting what he sees before him. Otherwise his pictures will be like those folding screens behind which one expects to find only the sick or the dead.
Caspar David Friedrich
Cezanne, Paul
Ciardi, John
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