Sunday, December 22, 2024 Text is available under the CC BY-SA 3.0 licence.

P. G. Wodehouse

« All quotes from this author
 

I had not failed to interpret the significance of that dark frown, that bitten lip and those flashing eyes, nor the way the willowy figure had quivered, indicating, unless she had caught a chill, that she was as sore as a sunburned neck.

 
P. G. Wodehouse

» P. G. Wodehouse - all quotes »



Tags: P. G. Wodehouse Quotes, Authors starting by W


Similar quotes

 

It was a dark, clean-cut face, with a three-inch scar showing whitely down the sunburned skin of the right cheek. The eyes were wide and level under straight, rather long black brows. The hair was black, parted on the left, and carelessly brushed so that a thick black comma fell down over the right eyebrow. The longish straight nose ran down to a short upper lip below which was a wide and finely drawn but cruel mouth. The line of jaw was straight and firm. A section of dark suit, white shirt and black knitted tie completed the picture.

 
Ian Fleming
 

On "Priya Duryodhani": She was a slight frail girl, with a thin tapering face like kernel of a mango and dark-brown eyebrows that nearly joined together over high-ridged nose, giving her to look of a desiccated school teacher at an age when she was barely old enough to enroll at school. She had dark and lustrous eyes. They shone from that finished face like blazing gems on a fading backcloth, flashing, questioning.

 
Shashi Tharoor
 

Far between sundown’s finish an’ midnight’s broken toll,
We ducked inside the doorway, thunder crashing.
As majestic bells of bolts struck shadows in the sounds,
Seeming to be the chimes of freedom flashing.
Flashing for the warriors whose strength is not to fight,
Flashing for the refugees on the unarmed road of flight,
An’ for each an’ ev’ry underdog soldier in the night,
An’ we gazed upon the chimes of freedom flashing.

 
Bob Dylan
 

Hypnotized by their rear-view mirrors, philosophers and scientists alike tried to focus the figure of man in the old ground of nineteenth-century industrial mechanism and congestion. They failed to bridge from the old figure to the new. It is man who has become both figure and ground via the electrotechnical extension of his awareness. With the extension of his nervous system as a total information environment, man bridges art and nature.

 
Marshall McLuhan
 

Her position before was sheltered from the light: now, I had a distinct view of her whole figure and countenance. She was slender, and apparently scarcely past girlhood: an admirable form, and the most exquisite little face that I have ever had the pleasure of beholding: small features, very fair; flaxen ringlets, or rather golden, hanging loose on her delicate neck; and eyes — had they been agreeable in expression, they would have been irresistible.

 
Emily Bronte
© 2009–2013Quotes Privacy Policy | Contact