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P. G. Wodehouse

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’You must remember, Father,’ said Mavis, in a voice which would have had an Eskimo slapping his ribs and calling for the steam-heat, ‘that this girl was probably very pretty. So many of these New York girls are. That would, of course, explain Frederick's behaviour.’

 
P. G. Wodehouse

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I had a big mouth, and I used to mouth off to my mother all the time. But I'd make sure my father wasn't in earshot, because he'd let me have it. I was very strong-willed, very stubborn, and fairly dramatic, I guess. I remember my mother calling me a drama queen when I would be carrying on: 'Here's my little actress.' And I was a real tomboy. I wasn't a terribly feminine little girl. I never thought I was attractive to boys; I remember when the first boy liked me, I couldn't believe it. All the little girls with ringlets and crinoline dresses were the ones the boys liked. I was always beating them up — why should they like me? I was always the biggest girl in the class, and if somebody wanted someone beaten up, they'd come and get me. I was the school bully. No wonder I played Catwoman. It all comes full circle.

 
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Alan Stock: What do you say, then, to a young girl—I am going to place it as he said it—when a young girl is raped by her father, let's say, and she is pregnant. How do you explain this to her in terms of wanting her to go through the process of having the baby?
Sharron Angle: I think that two wrongs don't make a right. And I have been in the situation of counseling young girls, not 13 but 15, who have had very at risk, difficult pregnancies. And my counsel was to look for some alternatives, which they did. And they found that they had made what was really a lemon situation into lemonade.

 
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They say baseball is popular because everyone thinks they can play it. Similar reasoning may explain the popularity of the Olsen twins: Teenage girls love them because they believe they could be them. What, after all, do Mary-Kate and Ashley do in New York Minute that could not be done by any reasonably presentable female adolescent? Their careers are founded not on what they do, but on the vicarious identification of their fans, who enjoy seeing two girls making millions for doing what just about anybody could do.

 
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I was about 10 years old, the first time I heard Elvis Presley's voice, pouring from my father's car radio, in East St. Louis, Illinois; I can't recall the song, whether it was a ballad or a rocker (but), what I remember is how his voice, that smoldering rumble of a voice, made my skin tingle; I don't know why, but I just loved his voice, his sound just did something to me.

 
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"Christmas won't be Christmas without any presents," grumbled Jo, lying on the rug.
"It's so dreadful to be poor!" sighed Meg, looking down at her old dress.
"I don't think it's fair for some girls to have plenty of pretty things, and other girls nothing at all," added little Amy, with an injured sniff.
"We've got Father and Mother, and each other," said Beth contentedly from her corner.
The four young faces on which the firelight shone brightened at the cheerful words, but darkened again as Jo said sadly, "We haven't got Father, and shall not have him for a long time." She didn't say "perhaps never," but each silently added it, thinking of Father far away, where the fighting was.

 
Louisa May Alcott
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