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The funny thing was, you see, that Mike Fink didn't think of himself as a murderer. He thought of life as a contest, and dying was what happened to those who came out second best, but it wasn't the same as murder, it was a fair fight.
--
Chapter 14

 

Orson Scott Card

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And then a funny thing happened to me...except when I think about it, it wasn't very funny at all. There must be a line in all of us, a very clear one, just like the line that divides the light side of a planet from the dark. I think they call that line the terminator. That's a very good word for it. Because at that moment I was freaking out, and at the next I was as cool as a cucumber.

 

Stephen King

 

His viciousness and his cruelty to staff was unlike anything that I had ever experienced in my life ... He just loved to degrade the staff. He got a kick out of it. He thought it was funny. Anybody who didn't think it was funny, like I didn't, was very suspect.

 

David Miscavige

 

I did The Mike O'Malley Show. It aired twice. You know, that was a really tough experience because Mike is a really good friend of mine, and was before that, and we were all friends, everybody on the show. It was Mike, and it was me, and Mike's sister Kerry, and Missy Yager, who I was then dating...well, we had just broken up; we had lived together for four years and we did that. And this guy Mark Rosenthal and Kate Walsh. And we were all friends, and we were all excited at the opportunity to do this show together. We were kind of shocked, and we thought, "God, this is so cool, that the six of us are doing this show!" And then we realized that they never intended to follow it or support us. You know, I think that show got a really bad rap, but by the end -- by the sixth or seventh episode or whatever it was that we made -- we were starting to find a voice on that show, and we were very disappointed. I took the disappointment of that really to heart, and the year after that got cancelled was probably the darkest year of my life. It was tough. It was a really tough time for me. And I didn't get a lot of work. And I didn't do anything, I just kind of drank those years away.

 

Will Arnett

 

Zola, who has so faithfully described the impulse to commit murder, did not himself commit a murder, because there were so many other characters in him. The actual murderer is in the grasp of his own disposition: the author describing the murder is swayed by a whole kingdom of impulses. Zola would know the desire for murder much better than the actual murderer would know it, he would recognise it in himself, if it really came to the surface in him, and he would be prepared for it. In such ways the criminal instincts in great men are intellectualised and turned to artistic purposes as in the case of Zola, or to philosophic purposes as with Kant, but not to actual crime.

 

Otto Weininger

 

When Jackson talked about painting he didn’t usurp anything that wasn’t himself. He didn’t want to change anything, he wasn’t using any outworn attitude about it, he was always himself. He just wanted to be in it (in the painting, fh) because he loved it. The response in the person’s mind to that mysterious thing that has happened before has nothing to do with ‘who did it first’. Tomlin however, did hear these voices and in reference to his early work and its relation to Braque, I like him for that. He was not an academician of Cubism even then; he was an extremely personal and sensitive artist.

 

Franz Kline