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Boys always argued as if they knew then had the forces of logic on their side, even when they were being completely irrational.

 

Orson Scott Card

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I categorically refused to consider the surrealists as just another literary and artistic group. I believed they were capable of liberating man from the tyranny of the “practical, rational world.” I was going to become the Nietzsche of the irrational. I, the obsessed rationalist, was the only one who knew what I wanted: I was not going to submit to irrationality for its own sake, to the narcissist and passive irrationality others practiced. I would do completely the opposite. I would fight for the “conquest of the irrational.” In the meantime my friends would let themselves be overwhelmed by the irrational, succumbing, like so many others, Nietzsche included, to that romantic weakness.

 

Salvador Dali

 

I knew I was weird by the time I was four. I knew I wasn't like other boys. I knew I was more fearful. I didn't like the rough and tumble most boys were into. I knew I was a sissy.

 

Robert Crumb

 

I knew all the time I was going to get through the war. It was completely irrational, a silly idea, but I was not going to lie down and get myself killed. I was going to get out of it.

 

Abraham Pais

 

There was a kind of shifting of the balances of my brain, of the way I had been thinking, the same kind of realignment as when, a few days before, words like democracy, liberty, freedom, had faded under pressure of a new sort of understanding of the real movement of the world towards dark, hardening power. I knew, but of course the word, written, cannot convey the quality of this knowing, that whatever already is has its logic and its force. I felt this, like a vision, in a new kind of knowing. And I knew that the cruelty and the spite and the I.I.I.I. of Saul and of Anna were part of the logic of war; and I knew how strong these emotions were, in a way that would never leave me, would become part of how I saw the world.

 

Doris Lessing

 

At this point of his effort man stands face to face with the irrational. He feels within him his longing for happiness and for reason. The absurd is born of this confrontation between the human need and the unreasonable silence of the world. This must not be forgotten. This must be clung to because the whole consequence of a life can depend on it. The irrational, the human nostalgia, and the absurd that is born of their encounter — these are the three characters in the drama that must necessarily end with all the logic of which an existence is capable.

 

Albert Camus