Yquotes.com

 

Daniel Jonah Goldhagen: "Finkelstein’s work is, from beginning to end, a tendentious series of inventions. …[T]he examples from his article that are deemed to be the strongest are thoroughly misleading and without merit. Finkelstein’s writing is the sort of transparent political polemic that—had others not cynically propped him up as an expert and a champion of truth—would not even merit a response. This is a man who has made a career of attacking Israel’s legitimacy…. His documented inventions about my book, it is worth noting that Finkelstein has never before written anything on the Holocaust or German history and cannot read German…which means that he cannot read many of the sources on which he is passing his ‘expert’ opinion…. [A] man who has arrived overnight to a scholarly field made up of massive scholarly literature, not to mention all the documents, who, to boot, cannot read most of the sources because they are in German.”
--
A Nation on Trial: The Goldhagen Thesis and Historical Truth”

 

Norman Finkelstein

» Norman Finkelstein - all quotes »

Similar quotes

 

Wolf was in Israel, because that's where Wolf belongs, with Ariel Sharon about to croak. ... Wolf is an old friend of Ariel's. Wolf - remember - was the Washington Bureau Chief of the Jerusalem Post, before he signed on with CNN to work 80 hours a day. Ummm... I'm so sick of his face, I could just scream. You know, people e-mail me and say "What do you mean, he's a former German U-Boat commander?" Look - if you don't get it, you don't get it. But every movie made in the 40's about the German U-Boats had a guy who looked just like Wolf Blitzer. And his name is, um... German. (Beginning of the show)

 

Mike Malloy

 

When I started writing my first novel, ...And Call Me Conrad, they always say: "Write about what you know" and I said "Well, if I get a nice sort of combination SF and Fantasy with these resonances from Greek Mythology it might be pretty good. It would also give me a chance to start filling in my background on all those things I don't know much about but should if I want to be an SF writer."
So I sat down and made a list of everything I felt I should know more about. Astrophysics, oceanography, marine biology, genetics... Then when I'd finished the list I read one book in each of these areas. When I'd finished I went back and read a second book until I'd read ten books in each area. I thought that it wouldn't turn me into a terrific, fantastic expert but I'd at least have enough material there to know if I was saying something wrong. And I'd also know where to turn to get the information I want to make it right.
While I was doing this, to keep the words and cheques flowing I wrote books involving mythology. And once I started picking up things involving astrophysics I'd write stories that played with those sorts of things. So that's why I started out with mythology.

 

Roger Zelazny

 

Raul Hilberg: "I would now say in retrospect that he was actually conservative, moderate and that his conclusions [in The Holocaust Industry] are trustworthy.... I am by no means the only one who, in the coming months or years, will totally agree with Finkelstein's breakthrough."

 

Norman Finkelstein

 

Avi Shlaim: "I think very highly of Professor Finkelstein. I regard him as a very able, very erudite and original scholar who has made an important contribution to the study of Zionism, to the study of the Israeli-Palestinian conflict and, in particular, to the study of American attitudes towards Israel and towards the Middle East."

 

Norman Finkelstein

 

The most powerful images that deal with Nazism and Holocaust themes are by Anselm Kiefer and Helnwein, although, Kiefer's work differs considerably from Helnwein's in his concern with the effect of German aggression on the national psyche and the complexities of German cultural heritage. But Kiefer and Helnwein's work are both informed by the personal experience of growing up in post-war German speaking countries... William Burroughs said that the American revolution begins in books and music, and political operatives implement the changes after the fact. To this maybe we can add art. And Helnwein's art might have the capacity to instigate change by piercing the veil of political correctness to recapture the primitive gesture inherent in art.

 

Gottfried Helnwein