In appearance and behaviour, Norbert Wiener was a baroque figure, short, rotund, and myopic, combining these and many qualities in extreme degree. His conversation was a curious mixture of pomposity and wantonness. He was a poor listener. His self-praise was playful, convincing and never offensive. He spoke many languages but was not easy to understand in any of them. He was a famously bad lecturer.
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Hans Freudenthal (2008) "Wiener, Norbert", In Complete Dictionary of Scientific Biography, Charles Scribner’s Sons, Detroit, 2008, pp. 342-347Norbert Wiener
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There are two kinds of sex, classical and baroque. Classical sex is romantic, profound, serious, emotional, moral, mysterious, spontaneous, abandoned, focused on a particular person, and stereotypically feminine. Baroque sex is pop, playful, funny, experimental, conscious, deliberate, amoral, anonymous, focused on sensation for sensation's sake, and stereotypically masculine. The classical mentality taken to an extreme is sentimental and finally puritanical; the baroque mentality taken to an extreme is pornographic and finally obscene. Ideally, a sexual relation ought to create a satisfying tension between the two modes (a baroque idea, particularly if the tension is ironic) or else blend them so well that the distinction disappears (a classical aspiration).
Ellen Willis
As I near the end of my personal recollections of life at M.I.T., it is impossible to refrain from relating my eye-witness stories about a brilliant man, Norbert Wiener, and his lovable eccentricities. I took two semester courses under Professor Wiener: one was Fourier Series and Fourier Integrals, and the other was, I believe, Operational Calculus. It is vivid in my memory that Professor Wiener would always come to class without any lecture notes. He would first take out his big handkerchief and blow his nose very vigorously and noisily. He would pay very little attention to his class and would seldom announce the subject of his lecture. He would face the blackboard, standing very close to it because he was extremely near-sighted. Although I usually sat in the front row, I had difficulty seeing what he wrote. Most of the other students could not see anything at all. It was most amusing to the class to hear Professor Wiener saying to himself, "This was very wrong, definitely." He would quickly erase all he had written down. He would then start all over again, and sometimes murmur to himself, "This looks all right so far." Minutes later, "This cannot be right either," and he would rub it all out again. This on- again, off-again process continued until the bell signaled the end of the hour. Then Professor Wiener would leave the room without even looking at his audience.
Norbert Wiener
Malraux's career begins in mystery with the expedition to Indo-China, the obscure affair of the missing statues, a short term of imprisonment, and a plunge into Eastern politics. The details of these matters are still unknown to us, but it is their resonance that counts. With all their shadow and uncertainty they nevertheless suggest a purity of adventure. Malraux entered the European consciousness not as a writer but as an event, as a symbolic figure somehow combining the magical qualities of youth and heroism with a sense of unlimited promise.
Andre Malraux
Deep learning will make you acceptable to the learned; but it is only an obliging and easy behaviour, and entertaining conversation, that will make you agreeable to all companies.
James Burgh
The dialectical critique of positivist habits of mind … is interested only in behaviour which is ‘important’ to the actor; that is, behaviour which is emotionally charged to the degree that it is either frequently recalled, reflected upon, or day-dreamed about. … That science which is less discriminating in the behaviour it chooses to investigate gains clarity and distinctiveness at the cost of confining itself to the trivial.
John Carroll
Wiener, Norbert
Wiesel, Elie
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