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Nils Bohlin

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The pilots I worked with in the aerospace industry were willing to put on almost anything to keep them safe in case of a crash, but regular people in cars don't want to be uncomfortable even for a minute.
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Nils Bohlin

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People who worked with me or knew me still called me the "world's fastest human" because I almost never stopped. I'd found that I could get more done with no regular job or regular hours at all, but by being on my own, flying to speak here, help with a public relations campaign for some client there, tape my regular jazz radio show one morning at 5:00 a.m. before leaving on a plane for another city or another continent three hours later to preside over a major sporting event.

 
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Pilots take no special joy in walking: pilots like flying. Pilots generally take pride in a good landing, not in getting out of the vehicle.

 
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As the crash was occurring, I remember that I felt no fear although I was obviously concerned for the people in cars that were headed in my direction. I simply just acknowledged to myself that I've had a good life and I would soon have to say goodbye to all of it in a matter of seconds.

 
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You know, I could run for governor and all this but I’m basically a media creation. I’ve never really done anything. I’ve worked for my dad. I worked in the oil industry. But that’s not the kind of profile you have to have to get elected to public office.

 
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Sour Grapes is a comedy about things that aren't funny. It reminded me of Crash, an erotic thriller about things no one finds erotic. The big difference is that David Cronenberg, who made Crash, knew that people were not turned on by auto accidents. Larry David, who wrote and directed Sour Grapes, apparently thinks people are amused by cancer, accidental castration, racial stereotypes and bitter family feuds... The more I think of it, the more Sour Grapes really does resemble Crash (except that Crash was not a bad film). Both movies are like watching automobile accidents. Only one was intended to be.

 
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