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In the darkness, who would answer for the color of a rose,
Or the vestments of the May moth and the pilgrimage it goes?
--
"The Blind Girl"

 

Nathalia Crane

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It is generally admitted that the most beautiful qualities of a color are in its transparent state, applied over a white ground with the light shining through the color. A modern Kodachrome is a delight when held up to the light with color luminous like stained glass. So many ask what is meant by transparent color, as though it were some special make. Most all color an artist uses is transparent: only a few are opaque, such as vermillion, cerulean blue, emerald green, the ochres and most yellows, etc. Colors are applied just as they come from the tube, the original purity and quality is never lost: a purple is pure rose madder glowing through a glaze of pure blue over glaze, or vice versa, the quality of each is never vitiated by mixing them together. Mix a rose madder with white, let us say, and you get a pink, quite different from the original madder, and the result is a surface color instead of a transparent one, a color you look on instead of into. One does not paint long out of doors before it becomes apparent that a green tree has a lot of red in it. You may not see the red because your eye is blinded by the strong green, but it is there never the less. So if you mix a red with the green you get a sort of mud, each color killing the other. But by the other method. when the green is dry and a rose madder glazed over it you are apt to get what is wanted, and have a richness and glow of one color shining through the other, not to be had by mixing. Imagine a Rembrandt if his magic browns were mixed together instead of glazed. The result would be a kind of chocolate. Then too, by this method of keeping colors by themselves some can be used which are taboo in mixtures.

 

Maxfield Parrish

 

One day he was showing me a painting he made. It was thick with oil, and right as he showed it to me a moth flew into the painting and got stuck — it flew around and its wings created a little circle in his painting, sort of like the death of a moth ... I thought David would pull the moth out and repaint it, but he fell in love with it the way it was.

 

David Lynch

 

I make a little mystique for myself. Since I have no preference or so-called sense of color, I could take almost everything that could be some accident of a previous painting. Or I set out to make a series. I take, for instance, some pictures where I take a color, some arbitrary color I took from some place. Well, this is gray maybe, and I mix the color for that, and then I find out that when I am through with getting the color the way I want it, I have six other colors in it, to get that color; and then I take those six colors and I use them also with this color. It is probably like a composer does a variation on a certain theme. But it isn’t technical, it isn’t just fun.

 

Willem de Kooning

 

Life has a meaning, a motive. There is nothing greater than life itself. Yet what is the purpose of life? What do we actually do with it? What have we understood? When we accomplish and realize who we are—not in theory, but in reality—it is gorgeous. Concepts stop. Our expressions are accurate. The love is real. It is as though the whole rose blooms-—not one petal, not two petals—but the whole rose opens up. All of a sudden, in the darkness there is light.

 

Maharaji (Prem Rawat)

 

Dark green is my favorite color. It's the color of nature and the color of money and the color of moss!

 

Leonardo DiCaprio