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Morrissey

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I'm bereft of spiritual solutions. I do believe that there has to be a better world, but that's rather simple. I'm quite obsessed with death. I've gone through periods of intense envy for people who've died. Yes, I have a dramatic unswayable unavoidable obsession with death. I can remember being obsessed with it from the age of eight and I often wondered whether it was quite a natural inbuilt emotion for people who're destined to take their own lives, that they recognise it and begin to study it. If there was a magical beautiful pill that one could take that would retire you from this world, I think I would take it and I suppose that's the extremity of the obsessiveness.
--
from "Stop me if you've heard this one before", interview by Len Brown in NME (20th February 1988)

 
Morrissey

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When someone's body can no longer perform its functions in the natural world in response to the thoughts and affections of its spirit (which it derives from the spiritual world), then we say that the individual has died. This happens when the lungs' breathing and the heart's systolic motion have ceased. The person, though, has not died at all. We are only separated from the physical nature that was useful to us in the world. The essential person is actually still alive. I say that the essential person is still alive because we are not people because of our bodies but because of our spirits. After all, it is the spirit within us that thinks, and thought and affection together make us the people we are. We can see, then, that when we die we simply move from one world into another. This is why in the inner meaning of the Bible, "death" means resurrection and a continuation of life.

 
Emanuel Swedenborg
 

We must live, you used to say, as if we were never going to die. - Didn't you know that's how everyone lives, including those obsessed with Death?

 
Emil Cioran
 

I unlatched the shutters. The light was as intense as a love affair. I was blinded, delighted, not just because it was warm and wonderful, but because nature measures nothing. Nobody needs this much sunlight. Nobody needs droughts, volcanoes, monsoons, tornadoes either, but we get them, because our world is as extravagant as a world can be. We are the ones obsessed by measurement. the world just pours it out.

 
Jeanette Winterson
 

Greek tragedy met her death in a different way from all the older sister arts: she died tragically by her own hand, after irresolvable conflicts, while the others died happy and peaceful at an advanced age. If a painless death, leaving behind beautiful progeny, is the sign of a happy natural state, then the endings of the other arts show us the example of just such a happy natural state: they sink slowly, and with their dying eyes they behold their fairer offspring, who lift up their heads in bold impatience. The death of Greek tragedy, on the other hand, left a great void whose effects were felt profoundly, far and wide; as once Greek sailors in Tiberius' time heard the distressing cry 'the god Pan is dead' issuing from a lonely island, now, throughout the Hellenic world, this cry resounded like an agonized lament: 'Tragedy is dead! Poetry itself died with i! Away, away with you, puny, stunted imitators! Away with you to Hades, and eat your fill of the old masters' crumbs!'

 
Friedrich Nietzsche
 

since life is uncertain, there is something one desires to preserve, desires to safeguard for oneself. […] It could not be something temporal, inasmuch as for life’s sake it probably would be desirable to preserve it, but how would one wish to preserve it for death’s sake, since it is precisely that which one abandons in death, which without envy and without preference would make everyone equal, equally poor, equally powerless, equally miserable, the one who possessed a world and the one who had nothing not love, the one who left behind a claim upon a world and the one who was in debt for a world, the one whom thousands obeyed and the one whom no one knew except death, the one whose loveliness was the object of people’s admiration and the poor wretch who sought only a grave in order to hide from people. It would have to be something eternal, then, that the discourse was about or, more accurately, what it could truly be about, and, in a single word, what else could that be but a person’s soul?

 
Soren Aabye Kierkegaard
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