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Modest Mussorgsky

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I regard the people as a great being, inspired by a single idea. This is my problem. I strove to solve it in this opera.
--
MS dedication to Boris Godunov, January 21, 1874.

 
Modest Mussorgsky

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A good idea is something that does not solve just one single problem, but rather can solve multiple problems at once.

 
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At a very early stage I realised that it's a real problem to perform electronic music on stage because electronic instruments are not particularly convincing on a visual point of view: somebody behind his computer, it's not particularly visual. So I was inspired by the opera. And what was the opera in the 19th century? It was the idea for a musician to join and to work, to collaborate with a stage director, with carpenters, painters, people doing decors, graphic artists to have a visual prolongation, a visual correspondence to their work. That's what I tried to do with the tools of my generation: electronics and video and lights and all that.

 
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The most elegant way of solving the opera problem would be to blow up the opera houses.

 
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Some can sing opera, Luciano Pavarotti was an opera.
No one could inhabit those acrobatic melodies and words like him.
He lived the songs, his opera was a great mash of joy and sadness; surreal and earthy at the same time; a great volcano of a man who sang fire but spilled over with a love of life in all its complexity, a great and generous friend. ... I spoke to him last week... the voice that was louder than any rock band was a whisper. Still he communicated his love. Full of love.
That's what people don't understand about Luciano Pavarotti. Even when the voice was dimmed in power, his interpretive skills left him a giant among a few tall men.

 
Luciano Pavarotti
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