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"The issue of 'science' does not intrude itself directly upon the occasion of the performance of a musical work, at least a non-electronically produced work, since—as has been said—there is at least a question as to whether the question as to whether musical composition is to be regarded as a science or not is indeed really a question; but there is no doubt that the question as to whether musical discourse or—more precisely—the theory of music should be subject to the methodological criteria of scientific method and the attendant scientific language is a question, except that the question is really not the normative one of whether it 'should be' or 'must be,' but the factual one that it is, not because of the nature of musical theory, but because of the nature and scope of scientific method and language, whose domain of application is such that if it is not extensible to musical theory, then musical theory is not a theory in any sense in which the term ever has been employed. This should sound neither contentious nor portentous, rather it should be obvious to the point of virtual tautology.”
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From Milton Babbitt, "The Structure and Function of Musical Theory", College Music Symposium, Vol. 5 (Fall 1965), pp. 49-60; reprinted in Perspectives on Contemporary Music Theory, ed. Benjamin Boretz and Edward T. Cone (New York: Norton, 1972), pp. 10-21, ISBN 0393005488, and in Milton Babbitt, The Collected Essays of Milton Babbitt, ed. Stephen Peles, with Stephen Dembski, Andrew Mead, and Joseph N. Straus (Princeton: Princeton University Press, 2003), pp. 191-201, ISBN 0691089663.

 

Milton Babbitt

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The philosophy of science is concerned with how you decide if a scientific finding is correct or true. You have to establish criteria to determine if the finding or theory is valid. Validity is a fundamental problem in the philosophy of science, but the fundamental problem in the philosophy of scientific administration is the question of value. Two scientific activities are equally valid if they achieve results that are true. Now, how do you decide which activity is more valuable? The question of value is the basic question that the scientific administrator asks so that decisions can be made about funding priorities.

 

Alvin M. Weinberg

 

I regard Alban Berg as a musical swindler and a musician dangerous to the community. One should go even further. Unprecedented events demand new methods. We must seriously pose the question as to what extent musical profession can be criminal. We deal here, in the realm of music, with a capital offence.

 

Alban Berg

 

Well, at first I thought it was a very inappropriate question, you know, for the presidency to be decided on a scientific matter. And uh, I um, I think it's a theory — the theory of evolution. And I don't accept it, you know, as a theory. But it really doesn't bother me, it's not the most important issue for me, to make the difference in my life, to understand the exact origin. I think the creator that I know, uh, you know created us, every one of us and created the universe, and the precise time and manner and uh, you know, I just don't think we're at the point where anybody has absolute proof on either side.

 

Ron Paul

 

"Even discourse which does not acknowledge "musical coherence" as "intellectual communication" does not in fact succeed in treating it as anything else; it is only by locating their concerns in domains where the "musical" aspects of music are peripherally or not at all involved that musical discourses can circumvent the fact that when the "object of thought" consists of the contents of a musical composition just the recognition of the identities of any of these contents (or even of the undivided single identity of them taken all together as a "unit") involves (to varying degrees) the same considerations that are involved in a discourse that explicitly--and hence with a better chance of cognitive particularity--regards such a composition as an instance of communicative thought."

 

Benjamin Boretz

 

Where does one start with a theory of man if the theory of man as an organism in an environment doesn't work and all the attributes of man which were accepted in the old modern age are now called into question: his soul, mind, freedom, will, Godlikeness?
There is only one place to start: the place where man's singularity is there for all to see and cannot be called into question, even in a new age in which everything else is in dispute.
That singularity is language...

 

Walker Percy