(Bill Evans talking about Miles Davis's change of style to jazz fusion) I would like to hear more of the consummate melodic master, but I feel that big business and his record company have had a corrupting influence on his material. The rock and pop thing certainly draws a wider audience. It happens more and more these days, that unqualified people with executive positions try to tell musicians what is good and what is bad music. It’s tempting for the musican to prejudice his own views when recording opportunities are so infrequent but I for one am determined to resist the temptation.
--
http://jazztimes.com/articles/20128-miles-davis-and-bill-evans-miles-and-bill-in-black-whiteMiles Davis
[Bill Evans talking about Miles Davis's change of style to jazz fusion] I would like to hear more of the consummate melodic master, but I feel that big business and his record company have had a corrupting influence on his material. The rock and pop thing certainly draws a wider audience. It happens more and more these days, that unqualified people with executive positions try to tell musicians what is good and what is bad music. It’s tempting for the musican to prejudice his own views when recording opportunities are so infrequent but I for one am determined to resist the temptation.
Bill Evans
I have a big legacy of The Clash to live up to and I don't intend to uriny on a legend. I intend to build forward into the next century. The music has to be by the musicians, and there's too much changing things by the record company. I got a message for everyone in a record company: We don't care if you lose your job! You ruin music and I'll get all the smoothers out off the way, the people who smooth the sound off. Let the musicians have the music the way they want it, and not the way you think the grandmothers and 3-year olds will gonna buy it. Cause this is not about 3-year olds or grandmothers... This is Rock and Roll!
Joe Strummer
I think punk rock, especially for me, was a big middle finger to this whole talent thing. You're talking jazz fusion, that was the big music in 1976 when I graduated — you know the more notes and the faster solos and all this — and then here comes these guys who never really played before! They're writing their own songs, and I had to confront myself and say, 'Why do you like it?' And I had to look at myself in the mirror and say, 'Well, maybe I just do! I'll decide upon why later, but this has got me fired up to write a lot of songs.'
Mike Watt
I didn't plan on rock 'n' roll. I wanted to learn jazz; I got to know some people doing rock 'n' roll with jazz, and I thought I could make money playing music. In rock 'n' roll you can realize anything that you can in jazz or anything. There's no limitation other than the beat. You have more freedom than you do in anything except jazz — which is dying — as far as making any money is concerned.
Robby Krieger
You know, John Coltrane has been sort of a god to me. Seems like, in a way, he didn't get the inspiration out of other musicians. He had it. When you hear a cat do a thing like that, you got to go along with him. I think I heard Coltrane before I really got close to Miles [Davis]. Miles had a tricky way of playing his horn that I didn't understand as much as I did Coltrane. I really didn't understand what Coltrane was doing, but it was so exciting the thing that he was doing...
John Coltrane
Davis, Miles
Davis, Stuart
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z