In simple hearts the feeling for the beauty and grandeur of nature is a hundred-fold stronger and more vivid than in us, ecstatic composers of narratives in words and on paper.
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A Hero of Our TimeMikhail Lermontov
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Ecstasy is our very nature, not to be ecstatic is simply unnecessary. To be ecstatic is natural, spontaneous. It needs no effort to be ecstatic, it needs great effort to be miserable. That's why you look so tired, because misery is real hard work; to maintain it is really difficult, because you are doing something against the nature. You are going upstream — that's what misery is.
Osho
To those who do not know mathematics it is difficult to get across a real feeling as to the beauty, the deepest beauty, of nature ... If you want to learn about nature, to appreciate nature, it is necessary to understand the language that she speaks in.
Richard Feynman
Post-religious man, as Stevens saw him, still had a deep need for the kind of exaltation of the body and spirit which goes under different names in different religions — Christians call it grace, that is, the feeling or knowledge that the workings of God are revealed to the individual, thus lifting him or her up to a state of ecstatic consciousness. ... For the romantics in general such moments of ecstasis in the midst of nature are experienced by the solitary imagination, and the bonds of society are cast away as unimportant. Stevens once said that the romantic is a falsification, and perhaps the reason for the comment was his feeling that such moments of ecstatic relation in the midst of nature had to be given a social and eventually political meaning, rather than remaining in the arena of the spirit. Stevens poetry then offers a pastoral romantic ecstasis that become the occasions for searching out the relations between the individual, his or her community and the natural world.
Wallace Stevens
Words that do not create images should be discarded. Words that have no intrinsic emotional or visual content ought to be avoided. Words that are directed to the sterile intellectual head-place should be abandoned. Use simple words, words that create pictures and action and that generate feeling.
Gerry Spence
I wanted very much to learn to draw, for a reason that I kept to myself: I wanted to convey an emotion I have about the beauty of the world. It's difficult to describe because it's an emotion. It's analogous to the feeling one has in religion that has to do with a god that controls everything in the whole universe: there's a generality aspect that you feel when you think about how things that appear so different and behave so differently are all run "behind the scenes" by the same organization, the same physical laws. It's an appreciation of the mathematical beauty of nature, of how she works inside; a realization that the phenomena we see result from the complexity of the inner workings between atoms; a feeling of how dramatic and wonderful it is. It's a feeling of awe — of scientific awe — which I felt could be communicated through a drawing to someone who had also had this emotion. It could remind him, for a moment, of this feeling about the glories of the universe.
Richard Feynman
Lermontov, Mikhail
Lerner, Abba
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