Michelle Pfeiffer has the pivotal role of the movie and perhaps of her career as Angela de Marco, the unhappy missus of Frankie (The Cucumber). Shedding her WASP identity completely, Pfeiffer becomes the Italian princess, right down to the Long Island accent. Angela is an updated suburban moll, a gum-popper with press-on nails and lots of sweaters applique'd with feathers. She looks like a caricature, but there's anguish under all that mascara... This is her second movie marriage to the mob. As the wife in Scarface, she was the Latino mobster's WASP ornament, cold, trapped and tragic. As the Cucumber's widow, she's a deft comedian instead. It's her movie, and she graces it.
--
Washington Post on Married To The Mob (1988)Michelle Pfeiffer
» Michelle Pfeiffer - all quotes »
'She's the blonde in Scarface,' they say to me about Michelle Pfeiffer. Now her I know. She made this year's great movie entrance, descending, back to camera, in the glass elevator of a drug czar's Florida mansion, wearing a green satin evening dress that seemed about to fall off her. Rarely in a movie have I seen an actress so perfectly groomed, so coolly elegant. There hasn't been a platinum-blonde star for a long time, and I waited, fascinated, to meet her. She is on the verge of stardom. In the parlance of the industry, she is hot. She is appearing in one hot movie, has another coming out, and others await only her availability to begin shooting. 'Hello,' she said, when she arrived. 'Hello,' I replied, trying to zero in on the unfamiliar face... and then it registered: Michelle Pfeiffer is, alas, no longer blonde. She became blonde for the role. Nor is she a fashion plate. In fact, she has absolutely no interest in fashion or chic. Like Garbo, who cared nothing for such trappings either, she took on the accoutrements that went along with the part, so convincingly that I had assumed the end product was the starting point — the reason she had been cast in the first place.
Michelle Pfeiffer
I didn't recognize her from one film to the next. I wasn't really looking at Michelle Pfeiffer; I was looking at the character in the movie. The thing that really clinched it was Married to the Mob. She had a kind of honesty in the character, and she had just the right amount of humor. She wasn't putting down the character; she wasn't making a value judgment on the character. She really was like the people I grew up with. The characters were Italians from Long Island, and here was an actress of a different type, different background, coming in and making me believe totally. That really made me sit up and take note. And then, when Dangerous Liaisons came out, I thought, 'She's the best we have.'
Michelle Pfeiffer
This is one of the movies they will use as a document, years from now, when they begin to trace the steps by which Pfeiffer became a great star. I cannot claim that I spotted her unique screen presence in her first movie, which, I think, was Grease 2, but certainly by the time she made Ladyhawke and Tequila Sunrise and Dangerous Liaisons and Married to the Mob, something was going on. This is the movie of her flowering — not just as a beautiful woman, but as an actress with the ability to make you care about her, to make you feel what she feels. All of those qualities are here in this movie, and so is the "Makin' Whoopee" number, which I can only praise by adding it to a short list: whatever she's doing while she performs that song isn't merely singing; it's whatever Rita Hayworth did in Gilda and Marilyn Monroe did in Some Like It Hot, and I didn't want her to stop.
Michelle Pfeiffer
She had to have been a couple of years out of high school when I met her in Vons (it's a clothing store now) and I was only in El Toro by chance. When I saw her at the supermarket, there was a difference. Something had happened in there. I don't know if it's because she tried some other things. She had this steely look of determination. She looked at me, and she says, 'I'm gonna be an actress.' And I remember telling her, 'Now, Michelle, a lot of people have agents and wanna be an actress and...' And, 'No, no.' She told me there was this movie with Tony Danza, The Hollywood Knights. She was just trying out for it, and she thought she might have a chance for it. I give her that look, 'Now, Michelle.' I don't know. You'll see a kid coming through that'll tell you, 'I'm going to be a doctor.' They're just hell bent, they're sure that's what they're going to do. Nothing stops them from doing it. And some kids do that. And then I get a call, 'Hey, you gonna be in your room today?' And they come back, and they've just gotten their law degree from Harvard or something. And it's usually one of those kids who has that look. And she had that look... I was a single parent, and I was ironing at two o'clock in the morning. That's when I do my ironing and catch my breath. This movie comes on, The Hollywood Knights, and I'm thinking, trying to figure out where I heard that name. And I'm watching, and then Tony Danza and his girlfriend come by. And you do a double take. I go, 'Michelle?' Well, she got the part. I couldn't believe it. I'm thinking I got a student who got a role in a movie. Good for you. I'm watching it. You know, you're kind of proud of her. And there she is. It was a little role but she was good in it.
Michelle Pfeiffer
For Pfeiffer, in a year that has seen her in varied assignments such as Married to the Mob and Tequila Sunrise, the movie is more evidence of her versatility. She is good when she is innocent and superb when she is guilty.
Michelle Pfeiffer
Pfeiffer, Michelle
Phaedrus
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z