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There was a pronunciation and approach that seemed Dylan-influenced. Vowels were swallowed, word endings were given short or no shrift. When we worked, it almost became a joke with us that I was constantly reminding her to say the consonants as well as the vowels... And Michelle, must you continue to smoke two packs of cigarettes a day?... I can swear that every single note in that movie was hers. Seeing Michelle up there was like watching myself or my daughter. I was so nervous. I wanted her to be so good. I didn't want to feel as if I'd let her down.
--
Sally Stevens, vocal coach on The Fabulous Baker Boys

 

Michelle Pfeiffer

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She had to have been a couple of years out of high school when I met her in Vons (it's a clothing store now) and I was only in El Toro by chance. When I saw her at the supermarket, there was a difference. Something had happened in there. I don't know if it's because she tried some other things. She had this steely look of determination. She looked at me, and she says, 'I'm gonna be an actress.' And I remember telling her, 'Now, Michelle, a lot of people have agents and wanna be an actress and...' And, 'No, no.' She told me there was this movie with Tony Danza, The Hollywood Knights. She was just trying out for it, and she thought she might have a chance for it. I give her that look, 'Now, Michelle.' I don't know. You'll see a kid coming through that'll tell you, 'I'm going to be a doctor.' They're just hell bent, they're sure that's what they're going to do. Nothing stops them from doing it. And some kids do that. And then I get a call, 'Hey, you gonna be in your room today?' And they come back, and they've just gotten their law degree from Harvard or something. And it's usually one of those kids who has that look. And she had that look... I was a single parent, and I was ironing at two o'clock in the morning. That's when I do my ironing and catch my breath. This movie comes on, The Hollywood Knights, and I'm thinking, trying to figure out where I heard that name. And I'm watching, and then Tony Danza and his girlfriend come by. And you do a double take. I go, 'Michelle?' Well, she got the part. I couldn't believe it. I'm thinking I got a student who got a role in a movie. Good for you. I'm watching it. You know, you're kind of proud of her. And there she is. It was a little role but she was good in it.

 

Michelle Pfeiffer

 

The movie stars Michelle Pfeiffer as LouAnne Johnson... [h]er teaching methods are inventive. She bribes them with candy bars and free trips to amusement parks, and involves them in the words of that important poet, Bob Dylan (the Tambourine Man might have been a drug dealer!). Soon they're in the school library, finding connections between Bob Dylan and Dylan Thomas... [w]hat, exactly, will these disadvantaged inner-city kids accomplish by being bribed with candy bars and the "relevancy" of Bob Dylan? Can they read and write? Can they compete in the job market? An educational system that has brought them to the point we observe in the first classroom scene has already failed them so miserably that all of Miss Johnson's karate lessons are not going to be much help.

 

Roger Ebert

 

I didn't recognize her from one film to the next. I wasn't really looking at Michelle Pfeiffer; I was looking at the character in the movie. The thing that really clinched it was Married to the Mob. She had a kind of honesty in the character, and she had just the right amount of humor. She wasn't putting down the character; she wasn't making a value judgment on the character. She really was like the people I grew up with. The characters were Italians from Long Island, and here was an actress of a different type, different background, coming in and making me believe totally. That really made me sit up and take note. And then, when Dangerous Liaisons came out, I thought, 'She's the best we have.'

 

Michelle Pfeiffer

 

Hello everyone!
I suppose that you think that nothing much is happening at the moment. Ah ah ah! Well, that's what I want to talk to you all about: endings. Now, endings normally happen at the end. But, as we all know, endings are just beginnings. You know, once these things really get started, it's jolly hard to stop them again.
However, as we have all come this far, I think, under the circumstances, the best solution is that we all just keep going. Let's keep going inside, never an ending. Let's remember that this world wants fresh beginnings. I feel here, in this Country, and throughout the world, we are crying out for beginnings, beginnings!
We never want to hear this word "endings". I know you don't want to sit down. Of course, you're looking for the good start. Of course you're looking for a fresh start.
Isn't that charming? Do you know, I really feel I could dance...

 

Mike Oldfield

 

'She's the blonde in Scarface,' they say to me about Michelle Pfeiffer. Now her I know. She made this year's great movie entrance, descending, back to camera, in the glass elevator of a drug czar's Florida mansion, wearing a green satin evening dress that seemed about to fall off her. Rarely in a movie have I seen an actress so perfectly groomed, so coolly elegant. There hasn't been a platinum-blonde star for a long time, and I waited, fascinated, to meet her. She is on the verge of stardom. In the parlance of the industry, she is hot. She is appearing in one hot movie, has another coming out, and others await only her availability to begin shooting. 'Hello,' she said, when she arrived. 'Hello,' I replied, trying to zero in on the unfamiliar face... and then it registered: Michelle Pfeiffer is, alas, no longer blonde. She became blonde for the role. Nor is she a fashion plate. In fact, she has absolutely no interest in fashion or chic. Like Garbo, who cared nothing for such trappings either, she took on the accoutrements that went along with the part, so convincingly that I had assumed the end product was the starting point — the reason she had been cast in the first place.

 

Michelle Pfeiffer