I used to stay up very late at night, much later than I probably should have for such a youngster, and I used to watch very old black-and-white movies with, you know, Bette Davis and Joan Crawford, but I remember watching them thinking 'I could do that'... Even though I wasn't inclined at all to actually become an actress. I mean, that wasn't something that was... in the stars for me, no pun intended.
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Interview on Inside the Actors Studio (2007)Michelle Pfeiffer
» Michelle Pfeiffer - all quotes »
Sharon Tate is divine, a real find. Just wait and see what happens when the critics and public see her in Valley of the Dolls. Sharon has everything Marilyn Monroe had - and more. She has the fascinating, yet wholly feminine strength of a Dietrich or a Garbo, a classically beautiful face, an exciting figure, the kind of sex appeal and personality appeal to become as glittering a star as Bette Davis, Joan Crawford, Rita Hayworth, Lana Turner, Elizabeth Taylor.
Sharon Tate
I have worked with Rani in three films. She wasn’t taken seriously, initially. But now her talent is there for all to see. She is the only actress who has incredible comic timing. Even though she sported ugly glasses and had an awkward gait in Black, her performance was simply amazing. She doesn’t stoop to manipulation or backbiting. Now I can confidently say, she is here to stay.
Rani Mukerji
I had a big mouth, and I used to mouth off to my mother all the time. But I'd make sure my father wasn't in earshot, because he'd let me have it. I was very strong-willed, very stubborn, and fairly dramatic, I guess. I remember my mother calling me a drama queen when I would be carrying on: 'Here's my little actress.' And I was a real tomboy. I wasn't a terribly feminine little girl. I never thought I was attractive to boys; I remember when the first boy liked me, I couldn't believe it. All the little girls with ringlets and crinoline dresses were the ones the boys liked. I was always beating them up — why should they like me? I was always the biggest girl in the class, and if somebody wanted someone beaten up, they'd come and get me. I was the school bully. No wonder I played Catwoman. It all comes full circle.
Michelle Pfeiffer
You have to understand the Tea-bagger mindset; they have this nostalgia for this America that they think was stolen from them, that used to be, that was better – it's really the 1950s, okay? That's what they think was Shangri-La, and, y'know what they really don't get is that it's kind of insulting to a lot of Americans to pine for this era, cause it wasn't that good for a lot of people. It was good if you were a white man. It wasn't that good if you were Mexican, or black, or Jewish, or disabled, or gay, or a woman.
Bill Maher
I didn't recognize her from one film to the next. I wasn't really looking at Michelle Pfeiffer; I was looking at the character in the movie. The thing that really clinched it was Married to the Mob. She had a kind of honesty in the character, and she had just the right amount of humor. She wasn't putting down the character; she wasn't making a value judgment on the character. She really was like the people I grew up with. The characters were Italians from Long Island, and here was an actress of a different type, different background, coming in and making me believe totally. That really made me sit up and take note. And then, when Dangerous Liaisons came out, I thought, 'She's the best we have.'
Michelle Pfeiffer
Pfeiffer, Michelle
Phaedrus
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