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The reader does not need a technical vocabulary to read poetry, only a voice in the head or out loud which can deliver the sounds.

 

Michael Schmidt (poet)

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Poetry is I say essentially a vocabulary just as prose is essentially not. And what is the vocabulary of which poetry absolutely is. It is a vocabulary based on the noun as prose is essentially and determinately and vigorously not based on the noun. Poetry is concerned with using with abusing, with losing with wanting with denying with avoiding with adoring with replacing the noun. It is doing that always doing that, doing that doing nothing but that. Poetry is doing nothing but using losing refusing and pleasing and betraying and caressing nouns. That is what poetry does, that is what poetry has to do no matter what kind of poetry it is. And there are a great many kinds of poetry. So that is poetry really loving the name of anything and that is not prose.

 

Gertrude Stein

 

When I was asked to talk about the Obscurity of the Modern Poet I was delighted, for I have suffered from this obscurity all my life. But then I realized that I was being asked to talk not about the fact that people don’t read poetry, but about the fact that most of them wouldn’t understand it if they did: about the difficulty, not the neglect, of contemporary poetry. And yet it is not just modern poetry, but poetry, that is today obscure. Paradise Lost is what it was; but the ordinary reader no longer makes the mistake of trying to read it — instead he glances at it, weighs it in his hand, shudders, and suddenly, his eyes shining, puts it on his list of the ten dullest books he has ever read, along with Moby-Dick, War and Peace, Faust, and Boswell’s Life of Johnson. But I am doing this ordinary reader an injustice: it was not the Public, nodding over its lunch-pail, but the educated reader, the reader the universities have trained, who a few weeks ago, to the Public’s sympathetic delight, put together this list of the world’s dullest books.
Since most people know about the modern poet only that he is obscure—i.e., that he is difficult, i.e., that he is neglected — they naturally make a causal connection between the two meanings of the word, and decide that he is unread because he is difficult. Some of the time this is true: the poet seems difficult because he is not read, because the reader is not accustomed to reading his or any other poetry.

 

Randall Jarrell

 

Poetry must be read to be poetry. It may be that one reader is all that I deserve. If this is so, I want that reader to be you.

 

William Saroyan

 

I never had much of a vocabulary. In fact, my friend Bob Schneider would still be alive today if I'd known the difference between "antidote" and "anecdote". He got bitten by a copperhead, and I'm telling him funny stories out of Reader's Digest. His head started to swell, I said "This ain't working". He goes, "READ FASTER!!"

 

Ron White

 

The poetry I love is written with someone’s voice and I believe its proper culmination is to be read with someone’s voice. And the human voice in that sense is not electronically reproduced or amplified.

 

Robert Pinsky