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Amy Lee of Evanescence: "She's so freaking powerful and awesome...I love her voice because it's weird, almost like she doesn't care."

 

M.I.A.

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He had a light in his gaunt face and his voice and manner were strangely solemn. The were all a bit afraid of him. … "We're mixing our lives together, Maily, and we'll never be able to unmix them again, and we'll never want to." His voice was strong but tender, and he was smiling down at here. "I take you for what you are, and all that you are, and mix you with all of me, and I don't hold back nothing. Nothing! When you're cold, and hungry, and afraid, so am I. When you're happy, so am I. I'm going to stay with you all that I can, take the very best care of you that I can, and love you every minute until I die." He took a deep, slow breath. "Now you say it"
"I will always love you and honor you and serve you, Frenchy, and stay as near to you as I can, and do everything for you, and live for you, and I won't have any life except our life together…" Tears welled out of her eyes but she smiled steadily up without blinking. "I will just love you, Frenchy, all of me there is just loving you forever."

 

Richard McKenna

 

I was walking barefoot on St. Paul's bridge
When I saw a man talking to God
He was round and handsome
Anachronistically
A little odd
I overheard his conversation
He said, "I can't live in a world devoid of love."
And the voice, the voice was so familiar
It was the voice of Peter Ustinov
"Peter," I whispered from the shadows
"We've all been damaged by the 20th century
A man like you can talk to God
But can you spare a word for me?
For I have loved you since the time
I saw you in The Mouse that Roared."
"That was Peter Sellers, my dear.
Go away," he implored.

 

Peter Ustinov

 

"Pray, my dear," quoth my mother, "have you not forgot to wind up the clock?" — "Good G—!" cried my father, making an exclamation, but taking care to moderate his voice at the same time, — "Did ever woman, since the creation of the world, interrupt a man with such a silly question?"

 

Laurence Sterne

 

It all goes back to Neil Gaiman. In the foreword to “Fragile Things,” he wrote that his short story “Sunbird” was his way of trying to write his own R.A. Lafferty story. So I found “Nine Hundred Grandmothers,” and it’s like nothing I’ve ever read before. It’s very blue-collar science fiction – all the familiar tropes of people going to outer space and to other planets. It’s hilarious, incredibly funny and at the same time it’s insanely dark. You get the feeling like it’s a guy just writing to amuse himself: “I don’t care if any of this makes sense, but I want to see weird stuff happen.” One of his stories starts off, “He began by breaking things that morning.” There’s a short story called “Ginny Wrapped in the Sun,” and it’s just about this little girl who’s super strong, running around, picking things up. You get such a sense of joy and boundless imagination in every sentence – even if the story doesn’t totally cohere, you feel like it’s about something. It’s so incredibly Tulsa. You get that feeling when you see a Flaming Lips show. It’s not like we’re dark and hurt and twisted. It’s like, "I’ve got blood on my face – come on, y’all, this is awesome."

 

R. A. Lafferty

 

But it was on the gospel numbers, such as the stunning "How great thou art", (1977) that Presley showed the awesome power of his voice. The fact that he has one of the greatest voices in popular music has been obscured by the mystique that has surrounded him.

 

Elvis Presley